---
product_id: 4090314
title: "Imperial Woman: The Story of the Last Empress of China"
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# Imperial Woman: The Story of the Last Empress of China

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desertcart.com: Imperial Woman: The Story of the Last Empress of China (Audible Audio Edition): Pearl S. Buck, Kirsten Potter, Oasis Audio: Books

Review: A Fascinating Story - So richly descriptive that I could almost smell the peonies and the jasmine. This is a beautifully written tale of Chinese history, forbidden love, and feminine power.
Review: Fictional-historical character re-creation; great re-creation of the artistic wonder and glory of Chinese culture - Pearl Buck states in her Forward to this book that she has tried to portray Tzu Hsi accurately based on "available resources" and her "own memories" of how the Chinese that she knew in China, growing up there as the daughter of missionaries, felt about the sovereign. Buck says that Good and Evil mingled in Tzu Hsi in heroic dimensions, and Buck's story-line describes instances of both qualities. Consequently, being pulled back and forth between sympathy with and aversion to the main character makes for a conflicted and not very satisfying emotional trek for the reader. Tzu Hsi is given the personality and character traits of a "Tigress." She is someone who is, therefore, capable of seizing and holding ruling power over a long period of time. One element in her personality, as presented by Buck, is fixed stubbornness. She can't be persuaded even by counselors whom she loves and respects that she would be wiser to ameliorate her hostility toward the Imperialist Westerners that have pushed into China. She disapproves of their modern innovations that destroy age-old traditions, she is angered by their planting of a new religion, and she is incensed against them for invading the empire and having forced their privileged treaties on the Chinese. Against advice, she spends money extravagantly in order to build glorious, exquisitely-furnished palaces and wondrous outdoor parks even though the costs are a terrible burden on the people who must be taxed ever more heavily in order to pay for the luxuries that she loves. Unlike most Chinese women, the Empress was eager to study and learn, spent much time mastering the learning available to her in the royal library into which she gathered whatever additional resources she was able to discover. Her learning about Chinese history aided her from a political standpoint. From behind the scenes, she was able to assist the emperor and later her young son when she became empress dowager. In this story, Buck shows Tzu Hsi spending a great deal of her leisure time in reading and study. Also, she seems to have been mad about theatricals and plays, and the reader would guess that she must have contributed much to traditional theater art by her craving for that kind of entertainment. On only two occasions Buck shows Tzu Hsi becoming able to change her stubborn attitudes and opinions about how China ought to act in certain critical situations. Once convinced that her actions have been very unwise, she made immediate turn-arounds and took absolutely new courses that were as stubbornly fixed as the previous courses have been. Imperial rulership in China strongly linked its rulers with divinity, seeing them as almost divine. The Chinese imperial mother was customarily termed "Holy Mother," for instance, and the male ruler was called the "Son of Heaven." Tzu Hsi had a devotion to the Chinese goddess of Mercy, Kwan Yin, and Pearl Buck depicts the empress at her devotional prayers to this goddess and to Buddha in such a way that she appears to be worshiping in a style very similar to typical Roman Catholic devotion. She prays in a shrine, uses prayer beads, addresses the goddess in prayerful requests for divine wisdom and guidance. The Empress is depicted bringing her deep emotional feelings to the merciful Kwan Yin. Likewise with her devotions to the Buddha. Buck's narrative also depicts for the reader the elaborate traditional devotional rituals of royal Chinese funerals and the traditional elaborate rituals asking divine help for the nation in time of trouble. The Chinese people themselves apparently associated Tzu Hsi to a large extent with Kwan Yin and the quality of Mercy, despite her many cruel act. They also associated her with Buddha, their name for her in the latter part of her life being "Old Buddha." They seemed to love her as a matriarch who cared for them and took care of them. According to Pearl Buck, they lamented her passing, felt bereft without her, wondering who would take care of them when they learned she had died. (Many Chinese in isolated parts of the empire didn't know of her passing until some years afterward!) Possibly so that the story will be more interesting and satisfying for the reader, Buck weaves together the Empress' lonely court life with a romantic love interest based upon a supposedly hidden love existing between the lady and her kinsman, Jung Lu. She attributes the fathering of the then ruling Emperor's son to Jung Lu. The two apparently loved one another before "Yehonara" became the favorite concubine of the Emperor. The emperor is portrayed as having become too wasted by sexual dissolution and opium addiction to be capable of engendering any vigorous offspring. Supposedly, the one act of love between the concubine and Jung Lu is the only intimate contact that ever occurs between the lovers, with the Empress remaining celibate for the rest of her life while she goes on loving Jung Lu, just as he continues to love her and serve her conscientiously over the years. If it were not for the love element, the "political" story Buck has to tell would not be very compelling for most readers and the reportage of the "Imperial Woman's" cruel acts would probably be more thoroughly alienating than they are, even in this rather sympathetic story about her. Numerous students of this mysterious ruler's life have developed widely varying claims about the real facts of it. It seems that anyone who wants to discover the true facts about her and her reign should delve into all other fictional and scholarly books available about her, not taking Buck's book about her as the last word or the absolute truth about her. A recent biographer has been historically astute enough to rescue Empress Dowager Tsu Hsi from the false rumors of disgusting immorality that blighted her reputation over the last century. Another writer has made a case against her supposed conservatism and has hailed her as a quite progressive ruler--a very unexpected turn of events. I found this biographical novel a bit difficult to read. It was for me not really what I'd call a "page-turner." I had to repeatedly make an effort to focus and pay attention to what I was reading. I had a hard time keeping the various identities of counselors and eunuchs and concubines sorted out. I felt that one of the best things about the story (just in my personal, untutored estimation) was the perspective it affords for Westerners on the point of view of many Chinese regarding the "Imperialist" Westerners' aggressively forced presence in a China where many Chinese preferred to remain isolated and traditionally fixed in their old ways. The book does not shed light on the machinations of the many Chinese who, on the other hand, wanted to bring down the Qing Dynasty and who helped to further the Nationalist movement that was taking firmer hold in China after the turn of the century. Another good thing (actually a very informative thing) about this book is the running descriptions throughout of the splendid Chinese buildings and parks, artwork, jewelry, and elaborate formal clothing typical of the Qing period court and gentry. The book is replete with descriptions of the glorious marvels of artisanship and architectural creativity that are typical of China. Here it appears as the marvelous and incomparable culture that it is! And all these beauteous surroundings are just what the Empress Tzu Hsi loved to create and to enjoy. In the arts and in learning (according to Pearl Buck's creation of the Empress Dowager), she found respite from her cares, not least of which was aloneness. (If you want to see some very interesting photos of Empress Tzu Hsi and people associated with her, go to your Google Search, or other search box, and click "Images," then insert her name in the search box and Enter.) (Because I wanted an edition that would match other Pearl Buck books in my collection, I ordered a 1956 hardback edition of Imperial Woman through desertcart. Published by The John Day Company, in good condition, and the price was comparable to more contemporary editions that are available on desertcart right now. I mention this just in case other readers might be interested in old hardback editions, which desertcart usually has available from time to time.)

## Images

![Imperial Woman: The Story of the Last Empress of China - Image 1](https://m.media-amazon.com/images/I/51nBrNQ0pyL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ A Fascinating Story
*by A***A on August 5, 2025*

So richly descriptive that I could almost smell the peonies and the jasmine. This is a beautifully written tale of Chinese history, forbidden love, and feminine power.

### ⭐⭐⭐⭐ Fictional-historical character re-creation; great re-creation of the artistic wonder and glory of Chinese culture
*by C***R on September 16, 2013*

Pearl Buck states in her Forward to this book that she has tried to portray Tzu Hsi accurately based on "available resources" and her "own memories" of how the Chinese that she knew in China, growing up there as the daughter of missionaries, felt about the sovereign. Buck says that Good and Evil mingled in Tzu Hsi in heroic dimensions, and Buck's story-line describes instances of both qualities. Consequently, being pulled back and forth between sympathy with and aversion to the main character makes for a conflicted and not very satisfying emotional trek for the reader. Tzu Hsi is given the personality and character traits of a "Tigress." She is someone who is, therefore, capable of seizing and holding ruling power over a long period of time. One element in her personality, as presented by Buck, is fixed stubbornness. She can't be persuaded even by counselors whom she loves and respects that she would be wiser to ameliorate her hostility toward the Imperialist Westerners that have pushed into China. She disapproves of their modern innovations that destroy age-old traditions, she is angered by their planting of a new religion, and she is incensed against them for invading the empire and having forced their privileged treaties on the Chinese. Against advice, she spends money extravagantly in order to build glorious, exquisitely-furnished palaces and wondrous outdoor parks even though the costs are a terrible burden on the people who must be taxed ever more heavily in order to pay for the luxuries that she loves. Unlike most Chinese women, the Empress was eager to study and learn, spent much time mastering the learning available to her in the royal library into which she gathered whatever additional resources she was able to discover. Her learning about Chinese history aided her from a political standpoint. From behind the scenes, she was able to assist the emperor and later her young son when she became empress dowager. In this story, Buck shows Tzu Hsi spending a great deal of her leisure time in reading and study. Also, she seems to have been mad about theatricals and plays, and the reader would guess that she must have contributed much to traditional theater art by her craving for that kind of entertainment. On only two occasions Buck shows Tzu Hsi becoming able to change her stubborn attitudes and opinions about how China ought to act in certain critical situations. Once convinced that her actions have been very unwise, she made immediate turn-arounds and took absolutely new courses that were as stubbornly fixed as the previous courses have been. Imperial rulership in China strongly linked its rulers with divinity, seeing them as almost divine. The Chinese imperial mother was customarily termed "Holy Mother," for instance, and the male ruler was called the "Son of Heaven." Tzu Hsi had a devotion to the Chinese goddess of Mercy, Kwan Yin, and Pearl Buck depicts the empress at her devotional prayers to this goddess and to Buddha in such a way that she appears to be worshiping in a style very similar to typical Roman Catholic devotion. She prays in a shrine, uses prayer beads, addresses the goddess in prayerful requests for divine wisdom and guidance. The Empress is depicted bringing her deep emotional feelings to the merciful Kwan Yin. Likewise with her devotions to the Buddha. Buck's narrative also depicts for the reader the elaborate traditional devotional rituals of royal Chinese funerals and the traditional elaborate rituals asking divine help for the nation in time of trouble. The Chinese people themselves apparently associated Tzu Hsi to a large extent with Kwan Yin and the quality of Mercy, despite her many cruel act. They also associated her with Buddha, their name for her in the latter part of her life being "Old Buddha." They seemed to love her as a matriarch who cared for them and took care of them. According to Pearl Buck, they lamented her passing, felt bereft without her, wondering who would take care of them when they learned she had died. (Many Chinese in isolated parts of the empire didn't know of her passing until some years afterward!) Possibly so that the story will be more interesting and satisfying for the reader, Buck weaves together the Empress' lonely court life with a romantic love interest based upon a supposedly hidden love existing between the lady and her kinsman, Jung Lu. She attributes the fathering of the then ruling Emperor's son to Jung Lu. The two apparently loved one another before "Yehonara" became the favorite concubine of the Emperor. The emperor is portrayed as having become too wasted by sexual dissolution and opium addiction to be capable of engendering any vigorous offspring. Supposedly, the one act of love between the concubine and Jung Lu is the only intimate contact that ever occurs between the lovers, with the Empress remaining celibate for the rest of her life while she goes on loving Jung Lu, just as he continues to love her and serve her conscientiously over the years. If it were not for the love element, the "political" story Buck has to tell would not be very compelling for most readers and the reportage of the "Imperial Woman's" cruel acts would probably be more thoroughly alienating than they are, even in this rather sympathetic story about her. Numerous students of this mysterious ruler's life have developed widely varying claims about the real facts of it. It seems that anyone who wants to discover the true facts about her and her reign should delve into all other fictional and scholarly books available about her, not taking Buck's book about her as the last word or the absolute truth about her. A recent biographer has been historically astute enough to rescue Empress Dowager Tsu Hsi from the false rumors of disgusting immorality that blighted her reputation over the last century. Another writer has made a case against her supposed conservatism and has hailed her as a quite progressive ruler--a very unexpected turn of events. I found this biographical novel a bit difficult to read. It was for me not really what I'd call a "page-turner." I had to repeatedly make an effort to focus and pay attention to what I was reading. I had a hard time keeping the various identities of counselors and eunuchs and concubines sorted out. I felt that one of the best things about the story (just in my personal, untutored estimation) was the perspective it affords for Westerners on the point of view of many Chinese regarding the "Imperialist" Westerners' aggressively forced presence in a China where many Chinese preferred to remain isolated and traditionally fixed in their old ways. The book does not shed light on the machinations of the many Chinese who, on the other hand, wanted to bring down the Qing Dynasty and who helped to further the Nationalist movement that was taking firmer hold in China after the turn of the century. Another good thing (actually a very informative thing) about this book is the running descriptions throughout of the splendid Chinese buildings and parks, artwork, jewelry, and elaborate formal clothing typical of the Qing period court and gentry. The book is replete with descriptions of the glorious marvels of artisanship and architectural creativity that are typical of China. Here it appears as the marvelous and incomparable culture that it is! And all these beauteous surroundings are just what the Empress Tzu Hsi loved to create and to enjoy. In the arts and in learning (according to Pearl Buck's creation of the Empress Dowager), she found respite from her cares, not least of which was aloneness. (If you want to see some very interesting photos of Empress Tzu Hsi and people associated with her, go to your Google Search, or other search box, and click "Images," then insert her name in the search box and Enter.) (Because I wanted an edition that would match other Pearl Buck books in my collection, I ordered a 1956 hardback edition of Imperial Woman through Amazon. Published by The John Day Company, in good condition, and the price was comparable to more contemporary editions that are available on Amazon right now. I mention this just in case other readers might be interested in old hardback editions, which Amazon usually has available from time to time.)

### ⭐⭐⭐⭐⭐ Great Read set in China
*by A***H on November 18, 2020*

Pearl S. Buck had an extraordinary life, growing up as the daughter of missionaries in China and living there for about 40 years. She wrote many books. This is the first that I've read as an adult and I loved it. I found her depiction of Imperial life in China to mesh with other books that I've read on the same subject. She follows the story of the last Empress from the time that she was a young girl, being chosen as a concubine of the Emperor, then her rise to Consort, then Mother of the Emperor, and being the Empress Dowager. The theme that came through most clearly to me was the deep ceremonies and rituals and customs that hindered China for so long. They were so steeped in tradition that they could not even communicate with other nations. The total lack of communication and ignorance of others eventually led to the downfall of that way of life as other nations wanted to open China to trade. One other theme that I found interesting, given her background as a child of missionaries, the book is extremely critical of missionaries coming to force their religion on a country that already had their own religions. The changes in beliefs of the people is one of the things that contributes to China's problems. China has a long history that is so different from other nations that it's hard to digest it. My only criticism of this book is that it was extremely long; I found myself getting bored at times. But after reviewing the list of books written by Ms. Buck, I'm sure I will read others as she writes beautifully and there is so much to learn.

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*Last updated: 2026-05-12*