Behind the Candelabra (Blu-ray + Digital Copy)

BEHIND THE CANDELABRA [2013] [Blu-ray] [UK Release] Funny and Fabulous! Simply Outrageous! Exceptional! Magnificent! Too Much Of A Good Thing Is Wonderful!Before Elvis Presley, before Elton John, Madonna and Lady Gaga, there was Liberace the infamous pianist, outrageous entertainer and flamboyant star of stage and television. A name synonymous with showmanship and extravagance, he lit up every stage he performed on, as bright as his candelabras and with a unique flair that gained him millions of devoted fans across the globe.From Academy Award® winning director Steven Soderbergh of ‘Behind The Candelabra' is the outrageous and gloriously entertaining true story of Liberace [Michael Douglas] and his secret love affair with the young and handsome Scott Thorson [Matt Damon] who have an intense rollercoaster ride of hedonistic fun, flamboyance and excess.FILM FACT: At the 2013 Cannes Film Festival, Baby Boy, a dog that appeared in the film as one of Liberace's pet poodles, won the Palm Dog Award. This is not an official part of the festival but takes place at the same time. `Behind the Candelabra' won the Critics' Choice Television Award for Best Movie or Miniseries and T.C.A. [Television Critics Association] Award for Outstanding Achievement in Movies, Miniseries, and Specials. The film won Eleven Primetime Emmy Awards, including Outstanding Miniseries or Movie and Outstanding Lead Actor in a Miniseries or Movie for Michael Douglas. British Academy Film Awards: Matt Damon for Best Actor in a Supporting Role. Richard LaGravenese for Best Adapted Screenplay. Best Production Design. Best Costume Design. Best Makeup and HairCast: Matt Damon, Scott Bakula, Eric Zuckerman, Eddie Jemison, Randy Lowell, Tom Roach, Shamus Cooley, John Smutny, Jane Morris, Garrett M. Brown, Michael Douglas, Pat Asanti, Debbie Reynolds, Casey Kramer, Cheyenne Jackson, Tom Papa, Dan Aykroyd, James Kulick, Bruce Ramsay, Paul Witten, Deborah Lacey, Rob Lowe, David Koechner, Susan Caroll Todd, Nicky Katt, Austin Stowell, Francisco San Martin, Boyd Holbrook, Anthony Crivello, Mike O'Malley, Kiff VandenHeuvel, Nikea Gamby-Turner, Charlotte Crossley, Josh Meyers, Harvey J. Alperin, Paul Reiser, Jerry Clarke, Lisa Frantz, Shaun T. Benjamin, John Philip Kavcak, Marc Abbink (uncredited), Kelly Allen (uncredited), Gregg Atwill (uncredited), Lita S. Bowman (uncredited), Baby Boy (Liberace's Blind Poodle uncredited), Barbara Brownell (uncredited), Cici Leah Campbell (uncredited), Johnny Carson (archive footage uncredited), Richard Allan Jones (uncredited), Adam J. Kassel (uncredited), Peggy King (TV archive footage uncredited), Brittany Perry-Russell (uncredited), Jimmy Scanlon (uncredited) and Ryken Zane (uncredited)Director: Steven SoderberghProducers: Gregory Jacobs, Jerry Weintraub, Michael Polaire and Susan EkinsScreenplay: Richard LaGraveneseComposer: Marvin HamlischCinematography: Peter Andrews (Steven Soderbergh)Video Resolution: 1080pAspect Ratio: 1.78:1Audio: English: 5.1 DTS-HD Master Audio and 2.0 LPCM Audio StereoSubtitles: English SDHRunning Time: 119 minutesRegion: Region B/2Number of discs: 1Studio: Entertainment One / HBO FilmsAndrew's Blu-ray Review: If you had asked me a few years ago if I thought Michael Douglas and Matt Damon could make for an engaging and believable romantic couple, I probably would have laughed in your face. If you then continued to tell me that the pair would actually be portraying Liberace and his young lover, I probably would have continued to laugh in your face. Now, don't get me wrong, both actors are more than capable performers, but the odd pairing just doesn't scream "captivating chemistry." Well, it turns out that such an assumption from me would have been dead wrong, and now we have the proof. I mean, just look at that the beautiful Region B/2 Blu-ray embossed cover!Directed by Steven Soderbergh of 'Behind the Candelabra' presents an intimate, funny, and genuinely dramatic peek into the colourful pianist's personal life, exposing a romance that starts off innocent enough but soon becomes increasingly chaotic, twisted, and unhealthy. As passion transitions into spite, and affection transforms into jealousy, the two tormented lovers engage in a roller coaster ride of emotions, all set against the backdrop of the over-the-top glitz and glamour of showbiz wealth and fame.Based on the 1988 memoir "Behind the Candelabra: My Life with Liberace," the film focuses on the real-life relationship between Scott Thorson [Matt Damon], a young aspiring veterinarian, and an aging Liberace [Michael Douglas], the flashy superstar pianist. After being introduced to each other backstage at one of the musician's shows, the two instantly take a liking toward one another, and soon Liberace hires Scott to be his personal assistant. Their relationship then quickly becomes romantic, but things ultimately start to take a darker turn. As plastic surgery, drugs, and jealousy take hold, their coupling becomes damaging, threatening to unravel both their lives.The story is essentially told from Scott Thorson's perspective, and he serves as our window into Liberace's lavish world. At first overwhelmed by the flashy entertainer's extravagant lifestyle, the once modest and innocent young man eventually comes to embrace the many perks that come his way. In fact, he ultimately goes a little too far, and Matt Damon does a great job with the stark transformation, gradually shifting the character's personality until he's barely recognisable (inside and out). Forced to have plastic surgery and take drugs for weight loss by Liberace, Thorson has a bit of a crisis of identity, and the actor plays up the man's increasing confusion and frustrations perfectly illustrates all while remaining infatuated with the very source of his problems.Of course, as radical as Matt Damon's transformation is, it's nothing compared to Michael Douglas' impressive metamorphosis into Liberace. I must admit, at first I couldn't help but see the famous actor behind the facade, but as the runtime continued, Douglas gradually disappeared into the role, truly embodying the character. With a solid approximation of the flamboyant star's distinct voice and mannerisms, and some great costumes and makeup as his groundwork to build upon, the actor goes on to offer a multifaceted portrayal that never feels like an imitation or a caricature. Instead, he feels like a real person, full of insecurity, loneliness, longing, eccentricity, and vulnerability, exposing the actual man behind the larger-than-life persona.Together, Matt Damon and Michael Douglas form a completely believable couple, and at first their courtship is more or less positive. A lot of the film is dedicated to pillow talk between the two, and their conversations feel intimate and natural. Likewise, the film doesn't shy away from their physical interactions, providing a frank depiction of sex. A great deal of loving humour is also derived from the characters' innate eccentricities (again, just look at that cover!), and the filmmakers play up some of the inherent silliness and strangeness of the subject matter to great effect (Rob Lowe's character is especially memorable and should of got some form of a gong) without ever really sacrificing emotion or drama.With that said, as funny as a lot of the runtime can be, the narrative does eventually take some increasingly dark and unsettling turns, revealing the affair's more disturbing elements, including a particularly creepy desire from Liberace to adopt Thorson and literally re-shape him in his own image. This all leads to an interesting examination of emotional control, facades, fickle infatuations, the pitfalls of fame, and the consequences of insatiable desires. What starts out as a supportive relationship grows ugly and petty, and it becomes hard to watch as the two lovers try to spite each other in painful ways.Though the subject matter might seem inherently flashy on the surface, Steven Soderbergh mostly plays against expectations, and instead offers a rather restrained approach, opting for a more functional and modest cinematic form that adheres to a fittingly vintage look. Often letting the characters and situations simply speak for themselves, the director engenders a personal, intimate mood with well-crafted shots and movements that, while artistically designed, don't really draw attention to the filmmaking. That's not to say that the film is completely without spectacle, however, and there are key scenes where Steven Soderbergh definitely turns up the dial on his style knob.Several recreations of Liberace's on stage performances are all appropriately showy, with a few quick cutting close-ups of the talented artist's impressive finger work gliding across his piano. Some later scenes that follow Thorson through his drug addiction are also home to more kinetic visuals, with disorienting moving shots that go in and out of focus, replicating the characters' own distraught and paranoid state of mind. As one might expect, the production design itself is also dazzling, bringing the performer's shining costumes and extravagant homes to life, adding an invaluable sense of outrageous character and personality to the proceedings. And then of course there's the film's finale, which features a brief excursion into the surreal, playing up Liberace's penchant for glitzy excess one last time to great success.Richard LaGravenese's screenplay works in fine little dabs of detail, and serves up one or two aces. When Liberace's ageing mother (Debbie Reynolds, also totally awesome and terrific) hits the jackpot on the mansion's one-armed bandit, the machine refuses to cough up its reward. (He's forgotten to fill it again.) Scott goes to fetch Liberace, who apologises to his mother for the lack of coins. Her reply: "I'll take a cheque."According to reports before the film's release, Steven Soderbergh apparently shopped the project around to several major studios, but all of them balked at the notion of making a film based on the topic. After watching the completed film, I really can't see what they were objecting too and us brits had no problem with the film, in fact we welcomed it with open arms of celebration, as we Brits are not upset with its subject matter. Sure, the concept isn't exactly commercial (OK, it's pretty damn far from commercial), but with Matt Damon, Michael Douglas, and Steven Soderbergh all on board, it at least had a good chance of drawing critical success and perhaps even some awards recognition (all things it has indeed garnered even in its small screen incarnation). Regardless, thankfully HBO snatched up the project, and the results are more than worthwhile. An intimate examination of jealousy, romance, overindulgence, and the crazy, hurtful things we can do to one another when love is involved, 'Behind the Candelabra' successfully peels back the surface layers of Liberace's later life, offering an emotional, humorous, thoughtful, and appropriately sparkling piece of filmmaking.Blu-ray Video Quality – The film is presented in a beautiful 1080p encoded image transfer in the 1.78:1 aspect ratio. Shot on the Red Epic, the film has a distinct style that looks quite nice on Blu-ray, enhancing the glittery, retro content of the story well. The digital source is mostly clean, but there is a light layer of noise visible from time to time, and a few isolated spikes in noise during darker scenes that can be a little distracting. The picture adheres to an intentionally soft appearance with a faintly diffuse glow that helps to create a certain "vintage" look. Though this softer quality does limit detail, clarity is still good and there is a solid sense of depth and fine textures in characters and wardrobe choices. To this end, all of Liberace's extravagant, glittery costumes sparkle off the screen and one can make out every speck of sequins. Colours are often cast in a golden sheen, and while the palette isn't particularly varied, the aesthetic fits nicely with the 1970s and 1980s setting. Thankfully, contrast is well balanced with steady black levels and good shadow delineation. Appropriately stylised with a soft, golden glow, 'Behind the Candelabra' looks very good on Blu-ray, preserving the director's intentions without any major issues.Blu-ray Audio Quality – The HBO film is provided with a 5.1 DTS-HD Master Audio track and a 2.0 LPCM Audio Stereo track. Optional English SDH subtitles are also included. Modest but relatively engaging, this is a solid, albeit restrained mix. Speech is clear and well prioritised, giving ample presence to Michael Douglas' distinct take on Liberace's trademark voice. The track is fairly front-loaded, but effects like crowd reactions and applause during shows do hit the surrounds. Likewise, other ambient effects like crickets or background clatter in a rowdy club are dispersed naturally around the soundstage. Directionality is decent as well, with a few key sounds (like a door slamming off to the side) being relegated to the appropriate speakers. The piano music itself comes through with wonderful clarity and dimension, bringing great range and depth to the musical performances. With that said the film as a whole is rather quiet, with a subdued sense of space. Likewise, bass activity is negligible. The sound design is a little subdued, but the more delicate approach works well with the intimate subject matter. A bit more texture and immersion would have been welcomed, but as a whole this is a fitting mix.Blu-ray Special Features and Extras:Special Feature: The Making of Behind the Candelabra [2013] [1080i] [14:00] This HOB Special Documentary is presented with a 2.0 LPCM Audio Stereo and the same subtitle options as the main feature, this is a standard behind-the-scenes documentary with cast and crew interviews and on-set footage. The participants discuss adapting the source material, approaching the characters, and what is was like to work with Steven Soderbergh. Crew members also elaborate on recreating Liberace's extravagant homes and costumes, and there's even some brief archive footage of the man himself. Though this offers a little more than usual promotional stuff, the documentary is sadly is far too brief. Appearing in this HBO Special Documentary are Matt Damon, Michael Douglas, Marcus LaVoi, Rob Lowe, Debbie Reynolds and Jerry Weintraub.Finally, 'Behind the Candelabra' offers an intimate peek into superstar pianist Liberace's personal life and his turbulent affair with a younger man. Through their story, director Steven Soderbergh shines a particularly glittering light on a fascinating real-life figure, while simultaneously examining interesting concepts dealing with love, jealousy, excess, and fame. The Blu-ray features a strong video presentation that respects the director's intended aesthetic, and a solid audio mix. Sadly, we only get one brief documentary, but it's still worth a look. While this isn't the most impressive disc, the technical presentation is good and the film itself is a well-crafted biopic that will likely even appeal to those who might seem apprehensive about its subject matter. When I purchased the Region A/1 Blu-ray, I had no sound and so instead purchased this Region B/2 Blu-ray and it is absolutely stunning and the beautiful designed Embossed Slip Cover is definitely far superior to the Region A/1 Blu-ray Cover. So all in all this is a stunning film and presentation and has gone pride of place in my Blu-ray Collection. Highly Recommended!Andrew C. Miller – Your Ultimate No.1 Film FanLe Cinema ParadisoWARE, United Kingdom

This is a film based on the 1988 memoir “Behind the Candelabra: My Life with Liberace,” by Scott Thornson. Thornson was the young lover of the flamboyant pianist Liberace (a.k.a. as “Mr. Showmanship”), nearly 40 years his senior. The film (adapted for the screen by Richard LaGravense) chronicles the course of their 6 stormy years together at the height of Liberace’s fame as one of the most legendary Vegas performers. The film is directed by Steven Soderbergh who is also credited with Erin Brockovich and Traffic.Michael Douglas (yes...the MD of Wall Street and Falling Down) is cast as the flamboyant Liberace, who despite maintaining his heterosexuality for the media, has an affinity for young, juicy boys. Scott Thornson is played by Matt Damon, a doe-eyed animal-loving country boy who is introduced to the entertainer by a mutual friend (Scott Bakula). From the start, Liberace is instantly drawn to seventeen-year-old Scott, who tells the entertainer he knows of a remedy that will heal his beloved pet poodle. Once this link is established, it doesn’t take long before the men develop a romantic, codependent relationship. Scott moves in with Liberace and quickly becomes accustomed to the entertainer’s life of excess.Scott is given the job of chauffeur in Liberace’s stage show, a position that has previously been held by several of Liberace’s former lovers. Scott enjoys the perks that come along with being the entertainer’s current love interest. After a passionate night together, Liberace tells Scott he wants to be everything to him: lover, father, friend, brother. The entertainer’s frankness solidifies Scott’s loyalty to his older lover and the two become inseparable, much to the annoyance of Liberace’s manager (Dan Ackroyd).Scott and Liberace live comfortably until Liberace catches a glimpse of himself on a late-night talk show. Convinced he needs plastic surgery, he calls upon his drugged-out surgeon Dr. Startz (Rob Lowe). Liberace proposes Scott undergo surgery as well to look more like him, since he has expressed desire to formally “adopt” him. After going under the knife, Scott develops an addiction to pain medications and his life sets off on a downward spiral from here. At this point, the relationship between Liberace and Thornson has become strained and their passion parallels that of an old married couple. Liberace expresses the desire he and Scott take a break and see other people. Although Scott agrees, he has an emotional breakdown in the company of his drug dealer. It is not long before Liberace takes interest in another young man and Scott is replaced completely. The torrid relationship culminates in Scott’s unsuccessful attempt to sue the entertainer for palimony. Liberace maintains the two men were not lovers, but agrees to settle out of court for $75,000, three dogs and three cars.This is an excellent film that that gives viewers insight into the life of the legendary showman Liberace, who died in 1987 due to complications related to HIV. The chemistry between Michael Douglas and Matt Damon is entirely convincing and the actors do a fine job portraying flamboyant lovers without going too over the top. This film is a must see for Liberace fans and anyone else interested in non-traditional romances.**Playing Devil’s Advocate: It’s important to note the film is based on Scott Thornson’s side of story and published the year after his ex-lover’s death (strategy to avoid any chance of Thornson being sued by Liberace for defamation of character?). As Liberace never publicly admitted his homosexuality, there is no way to really know if everything Scott Thornson detailed in his memoir is written out of truth or colored by the bitterness of a jilted lover. Viewers (especially those with little to no background knowledge of Liberace) may find themselves despising the legendary pianist by the end of the film and weeping tears of compassion for Scott (myself included).

An entertainer who was OTT in everything.MD plays L with great aplomb and is nearly convincing because of his voice !Matt Damon looks rather grotesque after a while.I just could not find one character to empathise with and maybe that is because the director stuck with the truth and makes us see the " real " Liberace and not the one who made extra money by suing the British newspaper for saying that he was " effeminate " and expecting the public to believe him !The subject matter dealt with is no longer considered as a " grey area " and cannot be shocking to a lot of people.I must say this : the wardrobe department made a wonderful job and all the excesses are laid out in wonderful colour !

Behind The Candelabra is as flamboyant as Liberace's glossy wardrobe. The final film before Soderbergh's retirement...oh wait, he's still making more films? Retirement spent well! Hollywood initially rejected this due to the content "being too gay for mainstream audiences" and so Soderbergh released this to TV stations instead. I for one am glad he went ahead and completed the project. Depicting the lavish lifestyle of Liberace, he recruits a younger fellow named Scott and illustrates the idolising yet spiky relationship between the two of them. If you didn't know who Liberace was, well where have you been hiding? Arguably the most famous entertainer of the late 70's having sold out a multitude of shows with his extraordinary piano playing skills. This biopic depicts the last ten years of his life and the illusory world of fame. Soderbergh consistently focused on both the physically and emotional relationship between these two men and how it rapidly deteriorates from boredom. Liberace wanted to see multiple younger guys and Scott succumbed to drug abuse, thus conveying the exertion of energy that was required to maintain this relationship. There's also themes of vanity, pride and jealousy throughout which come together to create a balanced perspective into Liberace's life. Douglas gives probably his best performance of his career as the central character. He absolutely nailed the campy mannerisms of Liberace and remained fearless during the more sexual scenes. Damon also gives a terrific performance as a young man falling for his idol and willing to do anything for him. It came across as helpless rather than obsessive which indicates the strength of his love for him. My major issue is with the tone. The flamboyancy of this production detracts from the emotional involvement of these characters. I felt disconnected and didn't really feel much during the more emotionally powerful scenes. The glossy veil was just too thick which prevented me from looking through it. Also the runtime felt abit extensive at two hours. However, it's certainly a gay ol' time.

BEHIND THE CANDELABRA [2013] [Blu-ray] Funny and Fabulous! Simply Outrageous! Exceptional! Magnificent! Too Much Of A Good Thing Is Wonderful!Before Elvis Presley, before Elton John, Madonna and Lady Gaga, there was Liberace the infamous pianist, outrageous entertainer and flamboyant star of stage and television. A name synonymous with showmanship and extravagance, he lit up every stage he performed on, as bright as his candelabras and with a unique flair that gained him millions of devoted fans across the globe.From Academy Award® winning director Steven Soderbergh of ‘Behind The Candelabra' is the outrageous and gloriously entertaining true story of Liberace [Michael Douglas] and his secret love affair with the young and handsome Scott Thorson [Matt Damon] who have an intense rollercoaster ride of hedonistic fun, flamboyance and excess.FILM FACT: At the 2013 Cannes Film Festival, Baby Boy, a dog that appeared in the film as one of Liberace's pet poodles, won the Palm Dog Award. This is not an official part of the festival but takes place at the same time. `Behind the Candelabra' won the Critics' Choice Television Award for Best Movie or Miniseries and T.C.A. [Television Critics Association] Award for Outstanding Achievement in Movies, Miniseries, and Specials. The film won Eleven Primetime Emmy Awards, including Outstanding Miniseries or Movie and Outstanding Lead Actor in a Miniseries or Movie for Michael Douglas. British Academy Film Awards: Matt Damon for Best Actor in a Supporting Role. Richard LaGravenese for Best Adapted Screenplay. Best Production Design. Best Costume Design. Best Makeup and HairCast: Matt Damon, Scott Bakula, Eric Zuckerman, Eddie Jemison, Randy Lowell, Tom Roach, Shamus Cooley, John Smutny, Jane Morris, Garrett M. Brown, Michael Douglas, Pat Asanti, Debbie Reynolds, Casey Kramer, Cheyenne Jackson, Tom Papa, Dan Aykroyd, James Kulick, Bruce Ramsay, Paul Witten, Deborah Lacey, Rob Lowe, David Koechner, Susan Caroll Todd, Nicky Katt, Austin Stowell, Francisco San Martin, Boyd Holbrook, Anthony Crivello, Mike O'Malley, Kiff VandenHeuvel, Nikea Gamby-Turner, Charlotte Crossley, Josh Meyers, Harvey J. Alperin, Paul Reiser, Jerry Clarke, Lisa Frantz, Shaun T. Benjamin, John Philip Kavcak, Marc Abbink (uncredited), Kelly Allen (uncredited), Gregg Atwill (uncredited), Lita S. Bowman (uncredited), Baby Boy (Liberace's Blind Poodle uncredited), Barbara Brownell (uncredited), Cici Leah Campbell (uncredited), Johnny Carson (archive footage uncredited), Richard Allan Jones (uncredited), Adam J. Kassel (uncredited), Peggy King (TV archive footage uncredited), Brittany Perry-Russell (uncredited), Jimmy Scanlon (uncredited) and Ryken Zane (uncredited)Director: Steven SoderberghProducers: Gregory Jacobs, Jerry Weintraub, Michael Polaire and Susan EkinsScreenplay: Richard LaGraveneseComposer: Marvin HamlischCinematography: Peter Andrews (Steven Soderbergh)Video Resolution: 1080pAspect Ratio: 1.78:1Audio: English: 5.1 DTS-HD Master Audio and 2.0 LPCM Audio StereoSubtitles: English SDHRunning Time: 119 minutesRegion: Region B/2Number of discs: 1Studio: Entertainment One / HBO FilmsAndrew's Blu-ray Review: If you had asked me a few years ago if I thought Michael Douglas and Matt Damon could make for an engaging and believable romantic couple, I probably would have laughed in your face. If you then continued to tell me that the pair would actually be portraying Liberace and his young lover, I probably would have continued to laugh in your face. Now, don't get me wrong, both actors are more than capable performers, but the odd pairing just doesn't scream "captivating chemistry." Well, it turns out that such an assumption from me would have been dead wrong, and now we have the proof. I mean, just look at that the beautiful Region B/2 Blu-ray embossed cover!Directed by Steven Soderbergh of 'Behind the Candelabra' presents an intimate, funny, and genuinely dramatic peek into the colourful pianist's personal life, exposing a romance that starts off innocent enough but soon becomes increasingly chaotic, twisted, and unhealthy. As passion transitions into spite, and affection transforms into jealousy, the two tormented lovers engage in a roller coaster ride of emotions, all set against the backdrop of the over-the-top glitz and glamour of showbiz wealth and fame.Based on the 1988 memoir "Behind the Candelabra: My Life with Liberace," the film focuses on the real-life relationship between Scott Thorson [Matt Damon], a young aspiring veterinarian, and an aging Liberace [Michael Douglas], the flashy superstar pianist. After being introduced to each other backstage at one of the musician's shows, the two instantly take a liking toward one another, and soon Liberace hires Scott to be his personal assistant. Their relationship then quickly becomes romantic, but things ultimately start to take a darker turn. As plastic surgery, drugs, and jealousy take hold, their coupling becomes damaging, threatening to unravel both their lives.The story is essentially told from Scott Thorson's perspective, and he serves as our window into Liberace's lavish world. At first overwhelmed by the flashy entertainer's extravagant lifestyle, the once modest and innocent young man eventually comes to embrace the many perks that come his way. In fact, he ultimately goes a little too far, and Matt Damon does a great job with the stark transformation, gradually shifting the character's personality until he's barely recognisable (inside and out). Forced to have plastic surgery and take drugs for weight loss by Liberace, Thorson has a bit of a crisis of identity, and the actor plays up the man's increasing confusion and frustrations perfectly illustrates all while remaining infatuated with the very source of his problems.Of course, as radical as Matt Damon's transformation is, it's nothing compared to Michael Douglas' impressive metamorphosis into Liberace. I must admit, at first I couldn't help but see the famous actor behind the facade, but as the runtime continued, Douglas gradually disappeared into the role, truly embodying the character. With a solid approximation of the flamboyant star's distinct voice and mannerisms, and some great costumes and makeup as his groundwork to build upon, the actor goes on to offer a multifaceted portrayal that never feels like an imitation or a caricature. Instead, he feels like a real person, full of insecurity, loneliness, longing, eccentricity, and vulnerability, exposing the actual man behind the larger-than-life persona.Together, Matt Damon and Michael Douglas form a completely believable couple, and at first their courtship is more or less positive. A lot of the film is dedicated to pillow talk between the two, and their conversations feel intimate and natural. Likewise, the film doesn't shy away from their physical interactions, providing a frank depiction of sex. A great deal of loving humour is also derived from the characters' innate eccentricities (again, just look at that cover!), and the filmmakers play up some of the inherent silliness and strangeness of the subject matter to great effect (Rob Lowe's character is especially memorable and should of got some form of a gong) without ever really sacrificing emotion or drama.With that said, as funny as a lot of the runtime can be, the narrative does eventually take some increasingly dark and unsettling turns, revealing the affair's more disturbing elements, including a particularly creepy desire from Liberace to adopt Thorson and literally re-shape him in his own image. This all leads to an interesting examination of emotional control, facades, fickle infatuations, the pitfalls of fame, and the consequences of insatiable desires. What starts out as a supportive relationship grows ugly and petty, and it becomes hard to watch as the two lovers try to spite each other in painful ways.Though the subject matter might seem inherently flashy on the surface, Steven Soderbergh mostly plays against expectations, and instead offers a rather restrained approach, opting for a more functional and modest cinematic form that adheres to a fittingly vintage look. Often letting the characters and situations simply speak for themselves, the director engenders a personal, intimate mood with well-crafted shots and movements that, while artistically designed, don't really draw attention to the filmmaking. That's not to say that the film is completely without spectacle, however, and there are key scenes where Steven Soderbergh definitely turns up the dial on his style knob.Several recreations of Liberace's on stage performances are all appropriately showy, with a few quick cutting close-ups of the talented artist's impressive finger work gliding across his piano. Some later scenes that follow Thorson through his drug addiction are also home to more kinetic visuals, with disorienting moving shots that go in and out of focus, replicating the characters' own distraught and paranoid state of mind. As one might expect, the production design itself is also dazzling, bringing the performer's shining costumes and extravagant homes to life, adding an invaluable sense of outrageous character and personality to the proceedings. And then of course there's the film's finale, which features a brief excursion into the surreal, playing up Liberace's penchant for glitzy excess one last time to great success.Richard LaGravenese's screenplay works in fine little dabs of detail, and serves up one or two aces. When Liberace's ageing mother (Debbie Reynolds, also totally awesome and terrific) hits the jackpot on the mansion's one-armed bandit, the machine refuses to cough up its reward. (He's forgotten to fill it again.) Scott goes to fetch Liberace, who apologises to his mother for the lack of coins. Her reply: "I'll take a cheque."According to reports before the film's release, Steven Soderbergh apparently shopped the project around to several major studios, but all of them balked at the notion of making a film based on the topic. After watching the completed film, I really can't see what they were objecting too and us brits had no problem with the film, in fact we welcomed it with open arms of celebration, as we Brits are not upset with its subject matter. Sure, the concept isn't exactly commercial (OK, it's pretty damn far from commercial), but with Matt Damon, Michael Douglas, and Steven Soderbergh all on board, it at least had a good chance of drawing critical success and perhaps even some awards recognition (all things it has indeed garnered even in its small screen incarnation). Regardless, thankfully HBO snatched up the project, and the results are more than worthwhile. An intimate examination of jealousy, romance, overindulgence, and the crazy, hurtful things we can do to one another when love is involved, 'Behind the Candelabra' successfully peels back the surface layers of Liberace's later life, offering an emotional, humorous, thoughtful, and appropriately sparkling piece of filmmaking.Blu-ray Video Quality – The film is presented in a beautiful 1080p encoded image transfer in the 1.78:1 aspect ratio. Shot on the Red Epic, the film has a distinct style that looks quite nice on Blu-ray, enhancing the glittery, retro content of the story well. The digital source is mostly clean, but there is a light layer of noise visible from time to time, and a few isolated spikes in noise during darker scenes that can be a little distracting. The picture adheres to an intentionally soft appearance with a faintly diffuse glow that helps to create a certain "vintage" look. Though this softer quality does limit detail, clarity is still good and there is a solid sense of depth and fine textures in characters and wardrobe choices. To this end, all of Liberace's extravagant, glittery costumes sparkle off the screen and one can make out every speck of sequins. Colours are often cast in a golden sheen, and while the palette isn't particularly varied, the aesthetic fits nicely with the 1970s and 1980s setting. Thankfully, contrast is well balanced with steady black levels and good shadow delineation. Appropriately stylised with a soft, golden glow, 'Behind the Candelabra' looks very good on Blu-ray, preserving the director's intentions without any major issues.Blu-ray Audio Quality – The HBO film is provided with a 5.1 DTS-HD Master Audio track and a 2.0 LPCM Audio Stereo track. Optional English SDH subtitles are also included. Modest but relatively engaging, this is a solid, albeit restrained mix. Speech is clear and well prioritised, giving ample presence to Michael Douglas' distinct take on Liberace's trademark voice. The track is fairly front-loaded, but effects like crowd reactions and applause during shows do hit the surrounds. Likewise, other ambient effects like crickets or background clatter in a rowdy club are dispersed naturally around the soundstage. Directionality is decent as well, with a few key sounds (like a door slamming off to the side) being relegated to the appropriate speakers. The piano music itself comes through with wonderful clarity and dimension, bringing great range and depth to the musical performances. With that said the film as a whole is rather quiet, with a subdued sense of space. Likewise, bass activity is negligible. The sound design is a little subdued, but the more delicate approach works well with the intimate subject matter. A bit more texture and immersion would have been welcomed, but as a whole this is a fitting mix.Blu-ray Special Features and Extras:Special Feature: The Making of Behind the Candelabra [2013] [1080i] [14:00] This HOB Special Documentary is presented with a 2.0 LPCM Audio Stereo and the same subtitle options as the main feature, this is a standard behind-the-scenes documentary with cast and crew interviews and on-set footage. The participants discuss adapting the source material, approaching the characters, and what is was like to work with Steven Soderbergh. Crew members also elaborate on recreating Liberace's extravagant homes and costumes, and there's even some brief archive footage of the man himself. Though this offers a little more than usual promotional stuff, the documentary is sadly is far too brief. Appearing in this HBO Special Documentary are Matt Damon, Michael Douglas, Marcus LaVoi, Rob Lowe, Debbie Reynolds and Jerry Weintraub.Finally, 'Behind the Candelabra' offers an intimate peek into superstar pianist Liberace's personal life and his turbulent affair with a younger man. Through their story, director Steven Soderbergh shines a particularly glittering light on a fascinating real-life figure, while simultaneously examining interesting concepts dealing with love, jealousy, excess, and fame. The Blu-ray features a strong video presentation that respects the director's intended aesthetic, and a solid audio mix. Sadly, we only get one brief documentary, but it's still worth a look. While this isn't the most impressive disc, the technical presentation is good and the film itself is a well-crafted biopic that will likely even appeal to those who might seem apprehensive about its subject matter. When I purchased the Region A/1 Blu-ray, I had no sound and so instead purchased this Region B/2 Blu-ray and it is absolutely stunning and the beautiful designed Embossed Slip Cover is definitely far superior to the Region A/1 Blu-ray Cover. So all in all this is a stunning film and presentation and has gone pride of place in my Blu-ray Collection. Highly Recommended!Andrew C. Miller – Your Ultimate No.1 Film AficionadoLe Cinema ParadisoUnited Kingdom

Michael Douglas and Matt Damon must have had such 'fun' ( possibly not in the intimate scenes, but they give it their all), making this bio'pic'. Liberace was a very much larger than life figure, figure being the operative word. Michael D and Matt D do a convincing job (not easy) of portraying their roles/characters.Liberace's life was ego and pleasure oriented (but living a lie), and in this interpretation, also superficial and made of sand.Once Matt D is out of the picture, Liberace deteriorates, and so does the film.Perhaps that is how it was in real-time.This is a glitzy, thought-provoking piece which deserves further thought after the curtain comes down.

Excellent film about the life of Liberace and his lover, Scott Thorson.A pity that this film was initially rejected by Hollywood. However, it was taken on by HBO network. For such an excellent film, it should have been given more publicity which is rather ironic considering that the main character was very much in the professional limelight!The costumes, the sets, have all been meticulously reproduced to reflect Liberace's flamboyant character and the way he lived his life.It's actually a very poignant film about two people who fell in love, but when one of them got bored, he decided to seek out other playmates, whilst the other ended up being hooked on drugs, feeling very rejected.Michael Douglas and Matt Damon play their parts to perfection. The transformation is really remarkable.