✨ Unleash Your Creativity with a Glossy Touch!
The High Solid Gel Gloss by GOLDEN is an 8 fl. oz. professional acrylic gel medium designed to provide artists with a transparent, high solid content that enhances the depth and gloss of their artwork. Ideal for various applications, this gel medium is easy to use and ensures a durable finish that resists yellowing and cracking.
D**T
Dries clear
This allows me to add texture without changing the underlying color. You can also add color/tint at any time.
S**N
Great for textures with acrylics
This, mixed with full body acrylics gives me the best results.
S**R
Very Good!
I'd never used this brand before but it's now my favorite. It blends colors easily and holds brush strokes really well - the only thing I've found to be better is paste. BUT, the great thing about this Solid Gel Gloss is that it dries CLEAR if you don't want to mix it with paint. Excellent!
A**R
Colors dry darker
Colors dried darker than on my palette, and it just looks like thick Elmer’s glue. Probably won’t use
T**L
I like the thickness and smoothness of this product
I use this product for texture in my paintings. I first create the "sculpture" part then let it dry and paint over it; I like the thickness and smoothness of this product; I usually use the Light Molding Paste but this product dries translucent and is useful for certain applications; The only negative is that it dries slow, so if your in a hurry try something else.
H**Y
Works Great!
Works fine. Quick delivery.
S**Z
Love it.
Love it.
W**D
Great stuff - and not just for painting
This medium has the heaviest body of any around - about as thick as mayonaisse. It works well when you start to lose the distinction between impasto and sculptural effects. Details stand up well in it and, although there's some shrinkage in drying, it shrinks less than other media. When used to modify the body of liquids, even inks, this gives great thickening power with just a little medium.It also works well as an adhesive for collage and the like, using just about any porous substrate and some nonporous ones. It's transparent when dry (thick layers can look milky, though) but white when wet, so you can see where it's going. The heavy body fills crevices in irregular surfaces, and its high viscosity means it soaks through less than anything else I've tried. If you've had disappointments with liquid glue bleeding into and discoloring delicate papers, give it a shot - after patch testing, of course. And, like all Golden acrylics, this archival material won't damage paper or other materials, is compatible with other acrylics, and washes up with water, as long as you get it before it dries.Great stuff, but goes fast.-- wiredweird
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