The Bell Jar

After reading The Bell Jar, my love for Sylvia Plath has grown to an extent. My favorite part of the book was when I discovered the wonderful Fig Tree Analogy. The Fig tree described throughout this book is used as a metaphor for making decisions throughout your life before the fruit rots and eventually falls to the ground. I believe that this was a beautiful way to compare the daily struggles of worrying about making intense decisions, and also giving up a choice for another choice. Many difficulties that most women face throughout their lifetime are displayed throughout this book in an excellent manner, and this will allow you to feel heard as well as not being stuck up within your own thoughts. This book really emphasizes the misfortune of being a woman who wasn't understood, especially when coming to a love life. The Bell Jar does an amazing job at explaining an overcomplicated love triangle as well as a love-hate relationship with work life, friendships, and getting out of your comfort zone. This book will get to you, and make you really think about your life and the importance of following your heart when it comes to making decisions for yourself. Another thing that this book does a wonderful job at doing is addressing the gender roles that society has held for women. Whether it be in politics, the writing industry, or even in mental health, this book helps women relate to what they are commonly misconceived as. The biggest takeaway that I have gotten from reading this book is that every problem that someone is faced with looks different in a variety of ways, and can also be dealt with in many different ways. I believe that by reading this book, you will be able to take away a lot of new information about how to go about your life, and about how to go along with new changes that may be scary to face or even overcome. Although there are many good things to come from this book, may I warn you that there can be a lot of triggers of emotions that can affect you. It is important to be sure that you are in the right mindset before begging to read this book, for it emphasizes the feelings of suicide as well as depression and tramatic events that happened throughout the main character’s life. On a good note, The Bell Jar leaves off on a good note, which allows many people being left feeling optimistic about what is to come in their life as well as how to be prepared to take the next step in making a huge life changing decision. If you are battling bad mental health, this book might just save you in a way that you would be able to remember for your entire life. It has the ability to see through you and what a person may be willing to do in order to reach out and get the help that they have been needing.

I read this book almost a year ago now and I am just now getting around to writing my review. Luckily, I took some notes but it is still not super fresh in my memory, so I apologize for that, though, perhaps, I have a little more perspective on it now (that is what I am going to claim anyway). My overall impression of the book was of a somewhat flawed novel (more on the flaws later), but also a novel that transcends its flaws, to some degree at least, through raw emotional power. It may not be polished, or accomplished, or refined enough for the likes of a Harold Bloom (I hate Harold Bloom, by the way), but it is primal, and it is beautiful in the same way that a scream is sometimes more beautiful and powerful than the most refined poetry. The novel is dark, it deals with depression and suicide, but it also has humor, and it was in some of the humor that I felt like Plath’s voice really came through most convincingly. I will simply list what I think some of the virtues and some of the flaws of the novel are.One flaw, I think, is Plath’s over-reliance on metaphor. Plath often attempts to come up with a powerful metaphor to describe the state of mind of her protagonist. Her metaphors are sometimes powerful and beautiful but I think she uses them too much. I think there are generally more powerful ways to convey a character’s state of mind. For example, in The Catcher in the Rye - a novel I may be referencing a lot since there are a lot of similarities between the two novels and because I think Salinger’s novel is ultimately more successful - there is a scene where Holden is quite depressed and he is riding in a Taxi cab. He reaches back into his hair and feels that some of the dampness in his air has turned to ice. This physical description is actually a more powerful way to convey Holden’s depression than a metaphor (rather than saying “I felt a loneliness as deep as the ocean”, etc.). Tone of voice can also convey a great deal. If the novel is narrated in an hysterical tone of voice, or one of the characters takes on an hysterical tone of voice, it often draws the reader right into the state of mind of the character rather than using a metaphor to describe it from the outside.I will say that sometimes Plath's metaphors are right on the money. In one scene Esther is waiting in a waiting room to see Buddy Willard, who is a boy that she has been dating, and it is clear he is much more enthused about the relationship than she is. While she is waiting she sees a fountain and “The fountain spurted a few inches into the air from a rough length of pipe, threw up its hands, collapsed and drowned its ragged ribble in a stone basin of yellowing water.” I like this metaphor for two reasons. First, she is describing an actual physical object in the environment so its use as a metaphor here is disguised. Second, even though it is an actual object in the room it perfectly describes her feelings for Buddy Willard, it is an objective correlate in T.S. Eliot’s terms. She is trying to be excited about seeing Buddy but all she can muster is a spurt that winds up just dribbling down and drowning in its own depths. Plath is also sometimes able to convey mood powerfully without relying on metaphors: in her descriptions of her hot baths, for instance, I think we get a better feeling for her depression than in her metaphors.Another flaw is: I do not think that the character of Esther Greenwood is as well developed as Holden Caulfield. What was Esther like before her episode of depression? Throughout the novel she can sometimes be quite cruel. Is that a result of the distorting effects of the bell jar or was that always a part of her personality? We learn that she is ambitious, and a good student, and we pick up bits and pieces here and there, but the character is vague, and her voice as a narrator is too literary to reveal much about her character. Holden does not narrate in the voice of a writer but Esther does. It feels like it is written in third-person, by Sylvia Plath, even though it is written in first-person, and is supposed to be the first-person narration of Esther Greenwood the character. When Esther says, at the very beginning of the book, “By nine in the morning the fake, country-wet freshness that somehow seeped in overnight evaporated like the tail end of a sweet dream” (1) it does not feel like a character speaking to us, it feels like a writing exercise. It is a well written sentence but it is not in the voice of the character. It is generic literary language, as is the line “Slowly I swam up from the bottom of a black sleep” (50). Compare this to a writer like Celine whose narrators speak in colloquial language mos of the time but can also utter a passage of the most beautiful poetry without it seeming like a literary device; it feels like it comes from the character and is something they would actually say.The book is quite powerful in places. There is a scene where she is out with a man and he attempts to rape her. It was a frightening scene that I thought did a great job of conveying her helplessness and fear. I have often pondered the difference between seeing violence in a movie or reading about violence in a piece of literature and seeing violence in real life. A lot of the writers I like have a fairly violent aesthetic. Cormac McCarthy, for example. Violence in the works of Cormac McCarthy conveys some kind of aesthetic emotion that is difficult to describe but it is very different from the feeling one has when one sees violence in real life. I have been in a few situations in my life where violence suddenly erupted without warning and the adrenaline starts flowing immediately. It is not an aesthetic or contemplative emotion at all. I thought the scene where the man attempts to rape Esther succeeded in conveying the kind of emotion one feels when violence is actually witnessed. It made the reader feel, to some degree, what it would feel like to actually be in a situation, rather than contemplating it from an aesthetic distance.I thought Plath’s use of foreshadowing was also a mixed bag. Foreshadowing is a great way to draw the reader in and keep their attention and their interest. I will say, I never had trouble remaining interested in Plath’s novel, but there were some foreshadows that failed to pay off. Very early in the book Esther makes reference to a corpose that Buddy makes her see. I was sort of expecting a pay off, and while Esther does eventually narrate the scene, it does not have a huge impact. On the other hand, there is some brilliant foreshadowing in the opening when Esther is contemplating the execution of the Rosenbergs when Esther can’t help wondering what it would be like to be burned alive “along all your nerves”, which foreshadows her own electroshock therapy.All in all, I thought Plath’s novel was quite satisfying and powerful despite its flaws. I would liken it to blues music. I am not a music historian, and I actually know very little about the history of the blues, but the analogy to me is this: the blues musicians did not possess all the musical training or sophistication of the great composers. They were not composing music that was as complex or refined as Mozart or Beethoven. But, they managed to express themselves very powerfully with the means at their disposal. In some ways, more powerfully than the more refined composers. They were expressing real suffering, without filter, and people respond to it on a gut level. I think Plath’s novel is like blues music in that way. While there are some flaws in her technique no one can doubt that she is expressing something real and that connects with people. Which is why I think this novel is still so popular in spite of naysayers like Harold Bloom. Critics often attempt to tell artists how they should go about expressing themselves, as if they were trying to channel the waters of a flood, but water has a tendency to follow its own will and explode wherever it wants, and I think we should be grateful for that.

I ordered this book for my girlfriend, who had mentioned she wanted to read it.Upon arrival, I opened the Amazon box to find that the book was in new and what seemed to be an unread condition.I opened the front cover and found that it, as well as all the pages turned from one side to the other without any difficulty. The words that were printed were easily readable and in the language that I prefer.I highly recommend this book for someone that has a girlfriend that reads, and likes her books to work reliably.

The material of the cover has a weird feeling, it's not smooth, other than that it's a good edition and the story is OK.

a bit depressing and the passages describing electroshock are a bit scaring too... still have to figure out why this book is so famous all around the world

Je n'ai lu que les 50 premières pages (banales) de ce roman et suis encore dans l'attente de ces révélations autobiographiques qui laissent présager le pire.Rien à voir avec la Sylvia Plath qui lit sur YouTube ses poèmes déchirants que sont : DADDY, BERCK PLAGE et DAME LAZARUS, ouencore cette nouvelle JOHNY PANIC AND THE DREAM BIBLE qu'on peut lire en anglais sur internet.Bref, rien n'apparaît encore des ravages de la douleur (ceux de l’enfance, pour commencer) qui feront un grand écrivain. Ses séjours en hôpital psychiatrique (ceci, on l’apprend ailleurs) font penser — toutesproportions gardées — aux efforts de Malcolm Lowry pour s'arracher à l'alcoolisme.Et comme cette autre grande figure américaine — Tennessee Williams — elle écrivitses premiers poèmes à l’âge de huit ans.THE BELL JAR fut publié l'année du suicide de Sylvia, âgée de 31 ans, en 1963. Il parut d’abord sous un pseudonyme. C'est l'éclairage des poèmes qui lui a valusa renommée. Ce livre fut publié en millions d'exemplaires.Sylvia Plath est désormais reconnue comme une figure majeure de la littérature américaine.[à suivre …]

ティーンの女の子の精神的な不安定さやもろさがテーマになっています。その代表として主人公が普段の優等生な立場から精神的に追い詰められて病院送りになってしまう話。そしてそんな主人公が特別におかしくなったわけではなく、彼女のように人生が落ちていってしまうことは誰にでも可能性があることをこの本から学びました。私は英文科で、この本はアメリカ人の先生から薦められて読んだ本です。主人公も大学生なので大学生にお勧めです。ちなみに映画、『１７歳のカルテ』の原作らしいですよ。映画は内容がけっこう違います。映画より原作のthe bell jarの方が私は全然好きです。

CONFORME

Reading it only now: what a slap in the face.I almost gave up midway: it was getting way too intense I was starting to feel like it was talking of me...An eye opener, really