Linsoul KZ ZS10 Pro, 4BA+1DD 5 Driver in Ear Monitor, HiFi Wired Earbuds, Gaming Earbuds, Hybrid IEM Earphones with Stainless Steel Faceplate, Detachable Cable for Musician(Without Mic, Glare Blue)

These completely changed how I look at audio. For the price, the sound profile is honestly impressive. Clear highs, solid mids, and an overall tuning that just sounds right. I thought my regular headphones were fine until I tried these. They also block outside noise surprisingly well and feel like a huge value. The only minor downsides are that I wish the bass hit a little harder and the included cable was slightly longer. Overall, amazing sound quality for the money. Definitely worth trying.

Short version – the KZ ZS10 Pros provide great listening with rich bass, embracing vocals and notable highs. Using the iFi Audio Hip-Dac and Apple Music I choose these over my Shure SE-535s, the HD660S and Sundara, KZ-AS12 and Sony MDR-1AM2. Most of the time. The provided cable is a bit short and tends to tangle. I’ll replace it when it becomes more important than just listening. Not an audiophile, or any kind of expert or specialist when it comes to headphones or to music. I like particular music genres more than others and am really not a heavy listener. When lossless came out on Apple Music it was the metrics of what was being offered that drew my attention. What possible difference could Hi-Resolution Lossless using 24 bit at 192 kHz make? Why would I even care? I mainly listen while biking, running, flying or exercising and am more concerned with not shorting out my earbuds with sweat or dropping them onto the street when the wind really blasts. If you’re on the move the value of lossless will be apparent, but it’s not that critical to extract everything you can from the lossless encoding and the headphone specs. The jump from the CD-ripped music at 320kbps and iTunes 256kbps songs that make up my library to Apple Music and lossless has been dramatic. (My entire stored library is now archived to a backup drive and everything in all my playlists comes from Apple Music’s lossless cloud of songs). Even without what I can now hear with lossless, the massive music library provided by Apple Music is worth the subscription. With lossless, the music is transformed. These relatively inexpensive KX ZS10 Pros are outstanding for me. I only bought them at under $50 to try out because of their great Frequency Response spec and the solid Amazon reviews. They have become my go-to headphones, and the baseline I use to compare with anything else. The frequency response from the specs is stated as 7Hz-40kHz. Regardless of any analysis about human ears being stuck in the range of 20Hz to 20kHz I enjoy the sound of those with wider range, and by a lot. I find that the bass seems more deep and rich, the highs more detailed and realistic. So, the range on these is excellent. Others in my listening adventures include the KZ-AS12, Sennheiser HD660S, HiFiMan Sundara, Shure SE-535, and Sony MDR-1AM2. Also a bunch of other much less expensive earbuds and headphones, but comparison isn’t really useful with this collection. I’ll also watch Joshua Valour, ABYSS Headphones, DMS and Darko Audio on YouTube and check out the breadth of opinions about headphones on Reddit. Mainly to learn more and to figure out what I may be missing. And continue the quest for a next level listening experience. (Have not approached an Abyss Diana or one of the Audeze LCDs. …yet). I personally find that IEMs, earbuds, are my favorite way to listen to music. So far none of the over-ear headphones has dissuaded me of this view. These KX ZS10 Pros have a really nice fit for me. Using memory foam earbud tips these seat and seal nicely and I’m barely aware that I’m wearing them. And I can easily wear them for hours. All of the over-ear headphones mentioned are comfortable, but they all do tend to become less comfortable over time, mainly due to heat. To net out my experience, these KZ ZS10 Pros blow away the Shure SE-535 (my up to now favorites, and my long-time traveling companions) and the KZ-AS12s. Better and richer bass, more lively engagement with the music. The HD660S and Sundara are both excellent, but I did not find them enough different from the KZ ZS10 Pros to warrant spending so much more or dealing with my own comfort preference for IEMs. The Sony MDR-1AM2 has a frequency response of 3HZ to 100,000kHz, which I do notice. They do not have quite the same overall quality of sound as I found with the HD660S and the Sundara, but the Sony’s are clean and consistent. Most of my listening uses Apple Music on my iMac and I use the Acoustic preset in the Equalizer to deepen the bass and accentuate the vocals. The MDR-1AM2 with the balanced cable also offers me a great listening experience, just a bit less in comfort than the in-ear KZ ZS10 Pro. Exploiting lossless tracks requires more than the built-in DAC on my iPhone or iMac. My choice was the iFi Audio Hip-Dac Portable USB DAC and Headphone Amplifier. It has the power to drive all of the headphones and IEMs I’ve tried, has a “bass boost”, excellent volume control, and includes a balanced 4.4mm headphone jack (which is great for the MDR-1AM2s). Also, battery powered for mobile use although it pretty much spends its whole life connected to the iMac. For me, so far, this little DAC/AMP is outstanding. (Although I keep looking at adding more options and more power … but I keep reminding myself that I really don’t listen all that much). As I said, my listening is somewhat limited. The songs that have really accentuated what lossless can provide and how these KZ ZS10 Pros perform include Eyes of the World and Bleed to Love Her by Fleetwood Mac (two of their songs I had never listened to until engaging with lossless on Apple Music and exploring these headphones), Enough of the Night by Jackson Browne, Knee Deep by Zac Brown Band with Jimmy Buffett, Keith Don’t Go by Nils Lofgren (who I don’t really listen to, but the acoustic opening for this song puts the guitar inside my head), and 4ware by deadmau5 (added to my list because of a lossless headphone review site that tests using it …). Elvis With The Royal Philharmonic Orchestra offers an entirely different level of appreciation for Elvis with this remix album, in lossless. Lossless Lionel Richie (Sail On, Ballerina Girl, Stuck on You …) offer both delicate guitar and rich vocals. The Killers, The Weeknd, Uncle Kracker and sometimes Mat Kearney become over saturated using the Equalizer settings, but lossless versus 256kbps offers a significant difference in listening experience.

First impression is that this is a clear step up over the KBear KS2, which I used mainly previously. I don't have the terminology of an audiophile, so all I can really say is that it's got a fun sound that is roughly comparable to the aforementioned KS2. Right off the bat, I did not use the stock cable. Already had a better one, which I immediately went to after seeing the included one; it looks very thin and cheap. Whether or not that affects SQ I do not know. As I write this, I am using a silver-plated copper balance cable I bought for $20. I may yet try the stock cable and update the review accordingly, but I expect it won't make a difference anyway. Fit is the best I have had for an in-ear, very easy to seat snugly and get a good seal compared to my KS2 and my 7Hz Timeless. I would compare this to the timeless, but it being 4x the price already sets it far above this IEM (though I do have some issues with using it; gives me a headache without fail a couple minutes in, YMMV others have not reported it). I have no complaints about the included tips, I ran with what was already on them and have not had fit issues. Again, easy for me to get a good seal compared to my other in-ears. YMMV. Looks-wise, the earbuds themselves also look a good deal better than the KS2. The black plastic face-plate and the tinted, see-through housing both look just fine for the price point; nothing to complain about here. Unless you count the cable, which as I said looks very thin and cheap. The KS2 cable seemed much better, though it was pretty ugly as well it appeared nicer than this one. The following is an attempt to describe some of the aspects I have seen others describe, who are much more deep in this hobby than I am. First off, my most fair comparison is the KBear KS2 as I have mentioned already. Compared to that IEM, it is easier to pick out details with these to my ears. I suppose they call that instrument separation. It is quite good in that regard. As for sound stage, which is how supposedly wide-open it feels, it is perhaps slightly better than the KS2. Audio is forward sounding, as opposed to all around you. I barely even needed to adjust my volume plugging this into my BTR5, which tells me it is nearly identical to the KS2 in terms of the power it needs to be driven. Pretty standard for IEMs, they are always easy to drive. You should be fine with an apple dongle or similar. On to the terminology I am less sure about using. This IEM sounds like it is a pretty standard V-shaped tuning, as you get with a lot of the more fun sounding stuff. Punchy bass, ordinary mids, high treble. The quality of the sound is markedly improved, not just in instrument separation, but in the sound itself. I believe you would call that clarity. Guitars, high hats, cymbals, all sound a lot better with this compared to the KS2. The bass is punchy without being what I would describe as woofy. It doesn't sound distorted, and it doesn't appear to bleed much (if at all) into the mid-range. I can hear the actual bass instruments, as opposed to just hearing bass noise like with my car speakers. Mids seem just fine, not what I would call recessed; though I do not know if I am using that term correctly. Highs are where the big improvement comes to my ears, I feel like this is the area I usually get the most fatigue from longer listening sessions. Detail in the top end is very noticeably improved, I especially notice it in high hats and such. Much smoother sound, more detail. I am no critical listener by any means, but the difference between the high hats on a cheap pair of "gaming" headphones and something like my Meze Empyreans is astronomical; on the gaming headset they sound almost crunchy, the texture of the sound being completely mangled. There is an elemt of that to the KS2, and it is much better on these IEMs. Still obviously can't compete with the Empyrean, but that is a whole other class of audio equipment. High hats just sound much more natural. This enhanced SQ in the top end seems to be much less fatiguing for me. TL;DR: Overall, I wish I had sprung for these over the KS2 as I consider these a straight upgrade for my ears. Same fun sound signature, but with better instrument separation, better clarity, better fit, better looks. Bass is more detailed, treble as well. Decent sound stage, about what you expect for this form factor. Only real downside is that cheap looking stock cable; luckily, you can switch that out if you hate how it looks (or sounds, if your ears can hear the difference).

First I will say I have really been enjoying these over my normal headphone. The sound is clear not muffled in any kinda way. I use them with my Dac which makes the plug and play. The multiple different tips made it easy to find my size and make them fit perfectly. My only gripe with them is the cable could be a bit longer but that's was extentions are for. I would make these a 5 ☆ but after extended use (over 18-20 hours) my right ear was starting to hurt, not from the noise or the wrap around cable, but bc the design scraps my ear every now and again. Over all I will be buying this brand and probably these exact ones later in the future to have back ups.

Now I know a lot of people will think I’m a little nuts, which I reply, “just a little, bummer”. I grew up a military brat, then military. So I spent a lot of time moving and living in foreign countries. So, unlike typical Americans, did really have access to tv, so growing up music was everything. When we rotated back to the states from Italy when I was a senior in high school, I already had over 600 albums. My father was an electronic engineer, ICBM guidance, satellite communications with SR-71’s in over flights, cutting edge in the 70’s. He also was a music nut, so I became one too. He said your stereo system was only as good as its weakest component. You spend $100,000 on the best Bang and Olufsen pre amp, amp, tuner, equalizer but buy a pair of radio shack Tandy speakers…. System like a crappy radio shack system. He said you want 20-20k for frequency response from your amp. He said humans at best could only hear 50-15k. Also, always take the high current amp, not the high watts one. So, on to the IEM KZ ZS10 Pro. Me, I’ve had my left eardrum blown out. Once’s from a military dive extraction, the other an RPG detonating 3 meters from me. So my hearings not anywhere near perfect. Over the years I’ve wanted clear sound that you feel in your soul. I’ve own $1,000 Shures, JBL and so on. About ten years ago I found this little company called soundpeat. Honestly, you can’t go wrong with their earbuds. The Truengine I bought before COVID were absolutely incredible. BEATS, JBL, Apple, none of those compared at 2,4,8 times the price. Now I’m older and feeling my age. Because I listen to the likes of Metallica, AC/DC, Van Halen, Led Zeppelin, Foo Fighters down to SADE, The Eagles, Journey and such. I want clear definition and loud. So, I saw all the reviews on the KZ IEM. So I went through all of the offerings. I settled on these KZ ZS10 Pro’s. Why you ask? I looked at all of the models. Ohms, frequency response and decibel sensitivity. Low ohms, high sensitivity equals loud. So even though you get KZ’s latest with 1 10~12mm driver and 5 balanced armatures, wow, just wow! What they are squeezing in to such tiny places is amazing. The older KZ ZS10 Pro’s had the same great frequency response as the other models, but? They also have the lowest ohm resistance of 24ohms and a whopping 111db sensitivity. So, if you’ve actually made it through this novel I wrote? Low ohms, high sensitivity equals loud, or louder all other things being equal. If been listening with these IEM’s now for 7 hours straight. I’m so blown away, I literally don’t want to stop listening to music. $40, $50, $60, whatever, get a pair before their gone. Last two things. I bought these with just the 3.5mm audio connector. I already had a 3.5mm audio to hi fi res USB C connector for my IPhone 16 Pro Max. Side note, I’m using the silicone tips that come with these, 7 hours a complete comfort. Now, pre COVID when I bought these awesome sound peat Bluetooth earbuds they included one pair of these awesome noise canceling memory foam tips. The were awesome, though? After nine months they needed replacing so I looked they up and the lost price was $20 for one pair! Again never refusing a challenge, on to Amazon. I found a company called sonic foam. You can buy different sizes, for different size tip diameters and three or four ear canal size. You know your usual s,m,l,xl standard. You can get a 10 pair box for $15 on amazon. Beats $20 for one pair any day. I’m listening to Fleetwood Mac greatest hits right now at 50% volume on my iPhone and they’re loader the any IEM’s, Bluetooth earbuds or earphones I’ve had in the last decade. Yes I know I’m old 😂😂😂😂😂

As a professional drummer, I’m extremely particular about the sound quality of in-ear monitors, and the Linsoul KZ ZS10 Pro (4BA+1DD 5 Driver) absolutely impressed me. The clarity is outstanding. Each instrument in the mix comes through clean and defined, which is crucial when you’re trying to lock in with the band. The balanced armatures really shine in the mids and highs—cymbals, guitars, and vocals sound crisp without being harsh. What surprised me most was the bass response. The dynamic driver delivers a deep, punchy low end that lets me clearly feel the kick drum and bass guitar without it becoming muddy. As a drummer, that low-end presence makes a big difference for timing and groove, and these handle it beautifully. They’re also comfortable and secure, which is important during long rehearsals or performances. Once they’re in, they stay put and isolate outside noise really well. For the price, the sound quality is honestly hard to beat. If you’re a musician—especially a drummer—looking for affordable in-ear monitors with great clarity and powerful bass, the KZ ZS10 Pro is a fantastic choice.

These KZ ZS10 Pro in-ears are killer! Mine are the amber colored ones. I got them for use as in-ear monitors while playing drums. They fit and stay in my ears very well and sound astounding considering their size. They have excellent fidelity across the range and deliver what I wanted, but wasn't expecting, to hear. Bravo! I like that the components are sealed in resin the way they are. This will prevent damage or loosening of parts over time and due to dropping, etc. I got some in-ear molding compound to make my own custom in-ears but the rubber on these is soft and fits my ears perfectly so I'll probably just keep using them for now. The quality of these is excellent. I am a tech geek and these tickle every happy nerve! Buy them. For the price, they're a steal!

I want to first and foremost start off by stating that I am new to the IEM world. I got these to compliment a HiBy R4 player that I recently purchased as I wanted to give IEM's a try over standard earbuds without breaking my wallet. There are a lot of mixed reviews of these IEM's and many reviews on YouTube certain individuals have done. I would like to clear up some misunderstanding to those who may be considering purchasing them but are on the fence where reviews are concerned. First impressions; Tone-wise they are bright. The first day I had them I will admit, I almost returned them. I did not like them at first. I thought to myself that the JVC xtreme explodes I had been using sounded far better. The bass sounded strained at times. There is high frequency response particularly in the 500-6000K range which, to my ears, does NOT sound natural. While stats on paper (online I mean) say that these are more neutral and V-shaped, that may be more-so depending on the device, DAC and amp you use them with. I find the highs and mids to be excessive to where you have to keep playing with the EQ to find the right sound. BUT that said, the sound can be fixed, you just have to experiment with EQ settings and give them roughly 48-hours of burn in time and they do tend to smooth out -to a degree. What you need to do is set your EQ properly on your DAP or phone. These are supposedly suited to perform more in the 'V' range (or so they say) so if you leave your EQ at flat they are going to sound far too high and unnatural in the high to mid-range. Now of course, this is going to be dependent on the music you are listening to. If you are listening to just classical, jazz, vocal or acoustic they sound fine with little EQ interference and your music will sound more alive like the instruments and singer is front and center, but if you intend to listen to various genres of music like I do, you WILL need to adjust them accordingly in the EQ and find the proper sweet-spot that sounds good to you. Personally, I find decreasing the mid-range tones in the 500 to 8000k range help a lot for 'most' types music I listen to. Now if you're listening to Norah Jones, Jack Johnson or any unplugged album, such as Nirvana or Neil Young unplugged (that is -acoustical and vocal) to name a few, you will get great results. Now the caveat is if I want to listen to something heavier or more demanding, like hard rock for example, then I set a separate frequency band preset for that type of music and lower the gain and find that they perform just fine. Examples of this and tracks you can try may be Chevelle's 'Family System or Comfortable Liar,' or Linkin' Park's 'Lying From You' when I say hard rock to name a few, because in those albums, the bass hits hard as does the treble so you do have to tone it down and lower the EQ gain. Some albums also were recorded loud (heavy compression) so you have to take that into consideration as well. If you don't lower the gain on the EQ with some types of music, you will get distortion with these guaranteed, and I think this may be where some are confused. I've had them for a week and use them with my HiBy R4 and I still feel like I'm having to adjust them from time to time. Now the main factor with these -sibilance. Goodness gracious; It's excessive. As I said in the beginning, the ZS-10 Pro's are overly bright in this area, but again this is where EQ adjustments come into play. On the HiBy R4 I use with mine, under settings, I use the MSEB and have overall temp set between -10 and 30 which makes them sound warmer. I also adjust the bass extension to +7 to +10 and then +7 to +10 for texture, respectively. I leave anything having to do with the vocals at default in the MSEB. Sibilance, I feel like, is dependent upon the music genre you are playing so you have to find the adjustments you like, but personally I find this to be the overall sweet-spot where highs and bass response are concerned. Then use the EQ within the music app to find the correct curve and adjust from there leaving the MSEB alone after I initially set it. Make sure that if and when you find the settings you like that you save them so you can go back and forth between different EQ profiles, because again, it may take several adjustments and listening sessions to get it right. Now keep in mind this is just if using with the R4 so depending on the type of DAP you are using, your settings will vary, but hopefully you get the picture of what I mean. What sounds good to me may not sound good to you. And remember, these have five drivers in each can, (one dynmaic for lows and then two for mids, two for highs) so they do require some adjustment from the user, just like a good speaker system would on a home stereo with actual speakers in order to find the sound that you enjoy. They perform nothing like the typical run-of-the-mill earbuds you have been used to which only have one driver doing everything. (UPDATE: 7/3/2025 -I have found what seems to be -at least for my tastes- one of the better EQ settings to use for the ZS 10 Pro's. If you are using PowerAmp for your listening; there are presets in there for various IEM's. I tinkered around for a while going through different ones until I found a preset I like. I recommend checking out the preset for '1 More MK801' (see pic attached to review) as this EQ curve, though for a different IEM, seems to fit these well and tones down the sibilance a lot and I have found it the sweet spot for mids, bass and treble frequencies for most types of music. From there, then you can use the Bass and Treble knobs to your tastes but I find 95% of the time, it is fine as-is. You can leave the gain in the middle for this one depending on what your listening to, but at times you do need to lower it a notch for some tracks otherwise you may get some distortion as is the case in my screenshot. I want to be clear that I am using mine again, with the HiBy R4 DAP, so depending on hardware, amplification, etc. you may have some difference but either way, I say if you use PowerAmp for playback, this may be the best way to find the best EQ setting (my tastes are mainly acoustic, grunge, hard rock, progressive rock and some electronic and pop and it's fine). Back to the original review; Now set up; This was pretty straight forward (similar to any earbud you get) except you have to connect the cables to the earpieces obviously before using. It takes a minute to figure out which is right and left (at least it did for me) because though the connectors have a clear imprint on them for R and L, they are barely easy to read. I personally had to use the flashlight on my phone and really look closely to be able to see which connector went to which earpiece. I did it backwards at first and then had to redo it again. If I could- I'd like to make a suggestion to the manufacturer here and that is to clearly label which is R and L on the cable and if possible, the IEM's themselves so you get the connections correct on the first attempt. Some say they had an 'out of phase' experience at first and this is likely the reason why. If they are connected wrong of course the stereo imaging will be out of phase but this is a simple fix that could be applied going forward as new IEMs are being manufactured. The lettering for R and L don't have to be a huge font, just clear enough to be legible. As for the cable, mine was the silver one (not brown) and does not get tangled. There is no noise interference that I can tell. Kudos here but out of the box as-is, the cable included does not have the moveable adjustment many like to use as are common on many other cables. This doesn't personally bother me as I'm already used to that from using earbuds that don't offer that feature, but for some, they may not like that. You could of course, mitigate this by getting a different cable if it means that much to you. I'm neither here nor there about it. The connectors have a protected end and fit snuggly into place. As for the ear pieces themselves; They have two mid-size ones already installed and give you three extra sizes (S, M, and L) in a little baggy. I changed mine out to the larger ones. They are silicone but I find them to be comfortable. A few people who reviewed these said that they also include a pair of foam tips but that must have been a different set as mine only had silicone tips included, which is fine as that would have been my preference anyway. You have to remember, also, that to get the best sound and isolation, you have to make sure you have on the right size tip and insert these (or any other IEM for that matter) properly. If you don't have a good seal and have a leak, this will also greatly effect your sound. There are videos out there that you can watch to show you how to properly wear an IEM and to get the best seal. Some suggest gently pulling on your upper ear while inserting, then letting go once they are in place which will seal them correctly and I find that this method does in fact, work best. Construction; They appear to be made well. Now some other reviews are stating one side or another went out after a few months but that makes me wonder if it's just the cable in those cases. I don't know. I hope I don't run into that, but if I do, I would probably do process of elimination on the cable connectors first before saying they are broken. At first glance and after listening, for the price point anyway, they seem to be pretty solid and they CAN get loud if you want them to. But we will see what happens in terms of longevity. All in all I would recommend. I only docked one star due to the connector label frustration and too much emphasis on the mid to high end because out of the box, I think they could tone those high frequencies down a little bit. As-is it's too much and that could potentially harm your hearing if you're not careful. Maybe I need to settle for a pair of IEM's that have a lower high-end response. I am also looking into the KZ-AS 10's, among some other brands. I really would like to find a pair that sound great with rock music and some pop but not be overly shrill on the high end with symbols and sibilance on the 's' tones. I want the bass to be punchy and deep when needed as it was intended overall but I don't need it super, super low either where I feel like it's vibrating my cranium. I overall would like to find something where I don't find myself having to adjust the EQ constantly. The problem with most reviews I read on any IEM's is most people tend to say, "oh it sounds great for gaming" or "oh it sounds awesome, just buy it." Well I'm not a gamer and telling me I should just buy something doesn't tell me much either. So when you write a review folks, please remember to provide as many details as you can. I bought them for solely for listening to music and that's where I want them to perform the best. So details about the sound are important to me and likely to many others out there. Time will tell if I can get the sound tailored exactly to my liking, but so far what I have found is that if you give them a burn in period, set your EQ correctly depending on what your listening to and don't play your music at obnoxious levels (which you shouldn't be doing anyway) you can get pretty good sound out of these for what they are given their price point being less than $50. And even if they are not your favorite IEM and you have expendable income, you will probably end up with another set anyway. But for starting out, they aren't too shabby at all after the initial burn-in period. But they do take some time to get used to. While I'm sure they aren't the best out there, you could do worse and they are overall great for what they are at this price-point. Happy listening everyone.

Je suis vraiment content de ces intra-auriculaires KZ ZS10 Pro — pour le prix, ils offrent un son qui dépasse largement ce que j’attendais. Dès la première écoute, on sent tout de suite que le rendu est puissant : les basses sont profondes et présentes, avec un bon « punch » qui donne de l’impact aux morceaux rythmés. Les médiums sont assez clairs — les voix et les instruments se distinguent bien, et les aigus apportent de la précision sans être agressifs. Le confort est correct, les écouteurs s’insèrent bien dans l’oreille et tiennent sans glisser, ce qui permet d’écouter longtemps sans gêne — pratique pour les trajets ou sessions longues. Le câble détachable 2 broches est un plus, cela donne une impression de qualité et de modularité appréciable. En résumé : c’est un excellent rapport qualité-prix pour des écouteurs filaires. Si tu cherches un modèle polyvalent — pour la musique, les films ou même le gaming — et sans vouloir dépenser un budget élevé, ceux-ci sont un très bon choix.

Con un precio en torno a 50 o 60 €, me he encontrado con mucha más calidad de sonido de la que me esperaba. He tenido otros modelos de la marca Shure y Sennheiser que valían cuatro veces más, y no sonaban también como estos. Decir que a medio volumen suenan perfectos, graves, contundentes y medios agudos en la cantidad justa para no molestar. A subirle mucho el volumen me molesta un poco en agudos y medios, pero que vuelvo a lo del principio por el precio que tiene no se le puede pedir mucho más sigo diciendo que nunca he visto una relación calidad precio tan buena. Solo tiene un fallo y ese fallo es el cable de auriculares, que se ve de bastante mala calidad, pero comprando un cable de una calidad superior. Tienes unos auriculares que suenan muy muy bien aíslan bastante y en el momento que le das volumen dejas de oír totalmente lo de fuera. Tengo claro que si se me estropea, los volveré a comprar, llevaba tiempo sin probar algo que me sorprendiera tanto! Decir que soy muy maniático con los auriculares y a pesar de eso esto me convencieron desde el primer momento estoy encantado y los recomiendo. Si tenéis una fuente de sonido que tenga un poco de calidad, vais a disfrutar de lo bien que suenan! Los recomiendo totalmente!

This is my second time purchasing these and I will continue to buy them over and over again. The sound quality is amazing. My only issue with them is loosing the ear bud pieces but that's my own fault. I've recommended these to many other people and everyone has said good things.

في مشكلة في النتج السماعة الشمال مش شغالة

I bought this in 2023 and it's been 2 years; I am still amazed how clear and crisp the sound is. I use it for my daily commute and it never failed me. I am not an audiophile but ill prefer an IEM than any wireless earphones or headphones in the market. Influenced my family to use IEMs too esp from Linsoul . Nothing beats wired IEMs.