Starting Point, 1979-1996

I bought Starting Point at the beginning of this year as material for a research paper I was writing on three of Hayao Miyazaki's films. Since then, I have read the entire thing and reread multiple portions of this extraordinary book. It became an invaluable resource for me as I wrote my paper, but it was also a very enjoyable and personal book. Over the course of the weeks it took me to finish it, I felt like I actually got to know Hayao Miyazaki. As I told several people, Starting Point is definitely the best book I have purchased in a very long time, and so far it is the best thing I have read this year. With all the wonderful essays, interviews, directorial memos, and even drawings it contains, I'm surprised there hasn't been more hype about it. It is an absolute must-read for any Miyazaki fan. I can't believe we had to wait more than fifteen years for this book to be translated and published in the United States (it was first published in Japan in 1996).The book, which is nearly 500 pages long, has been divided into several parts and includes a foreword by John Lasseter (director of Toy Story) and an afterword by Isao Takahata (director of Grave of the Fireflies). The first part, entitled "On Creating Animation" is perhaps the most technical part of the book. Even though many of Miyazaki's thoughts on animation and film techniques were a bit over my head, I still enjoyed reading those chapters and thinking about them. Miyazaki's writing style is simple enough that I didn't feel swept away by too much jargon or overly-technical terms. For filmmakers and those interested in how animation works, this part of the book will be fascinating. The second part, called "On The Periphery of the Work" was similar to the previous section in that it contained chapters about animation techniques. However, Miyazaki mainly writes about his thoughts on various animated films. He also includes some very short essays like "The Tokyo I Love" that almost feel like journal entries. Part three, "People", is full of essays about individuals who have helped, inspired, and even irritated Miyazaki. Two of my favorites are "I Left Raising Our Children To My Wife" and "My Old Man's Back." These are both very vulnerable essays about some of the people closest to Miyazaki, and reading them almost brought tears to my eyes."A Story in Color" and part of "My Favorite Things" give the reader a short break from the text with a comic and some illustrations. "Dining in Midair" is a charming and sometimes amusing comic about the history of in-flight dining. Scrapbooks No. 1 - 3 in the beginning of "My Favorite Things" display some pictures of flying machines, tanks, and cars, and also a very short illustrated story called "I Want A Garden Like This." Then we are back to more essays for the remaining part of "Favorite Things." My favorite essay in this section is "My Random Thoughts Notebook Is My Hobby." This one made me laugh because I expected it to be an essay about Miyazaki's random thoughts notebook. However, it was simply a piece full of disjointed thoughts, memories, and observations."Planning Notes; Directorial Memoranda" was a nice inclusion and the directorial memos were fun to read. For those who want more details about some of their favorite Miyazaki films like Castle in the Sky, My Neighbor Totoro, Kiki's Delivery Service, Porco Rosso, and Princess Mononoke, this section is for them. Although the memos are fairly short, I found them fascinating and enjoyable. However, for those who really want depth and insight into their favorite films, "Works" is the part to flip to. This section has a lot of information on Miyazaki's earlier works, like Lupin III, Future Boy Conan, and Panda! Go Panda! I had not heard of any of these before reading the book, but reading the chapter on Lupin was what convinced me to watch the film Lupin III: Castle of Cagliostro, which was excellent. "Works" also has quite a few extensive chapters on Nausicaä of the Valley of the Wind, My Neighbor Totoro, and Castle in the Sky. Miyazaki focuses on Nausicaä especially in several chapters, one of my favorites being an interview titled "Nature Is Both Generous and Ferocious."All in all, this book was excellent and I am very pleased to have it in my library. I have heard rumors that Viz Media might be publishing Miyazaki's later book Turning Point: 1997 - 2008 soon, and I hope that is the case. Much as I enjoyed this book, I would love to read more about Miyazaki's later works like Princess Mononoke, Spirited Away, and Ponyo. In the meantime, I plan to read this book over and over again, and I encourage anyone interested in Miyazaki's works (or even just interested in film and animation) to pick up a copy.

I love Studio Ghibli movies and Hayao Miyazaki is, to me, a very impressive and inspiring person. The book is a compilation of speeches, movie and project proposals, commentaries, and so on made by Miyazaki. It is all his words and thoughts, but it is not a biography of his life. It focuses on his approach to film. It's a very cool insight into how he thinks. The translation into English still captures the unique ways he talks and uses metaphor and all that. If you're interested, buy the book. You will learn something from it.

Hayao Miyazaki is considered one of the best directors of animation history.That easily is the best reason of why to buy this book. Covering the sursprisingly amount of 500 pages, Starting Point (in a beatiful edition by Viz Media) icludes not only all the essays and commentaries written by Miyazaki between 1979 and 1996, but also integrates a lot of skecthes, cartoons and rare drawings of the famous director. Not only that, but the biggest catch of the book is discovering that Miyazaki, as what it is (a genius), it's also a complex individual and a likeable writer. His opinions included in this book, cover a wide variety of topics: the history of Japan, animation principles, evolution of the anime industry, his personal life, opinions of society, ecology, war and even life.Starting Point is a provoking and complex read. The opinions of Miyazaki may come as overly extreme or controversial, but in his broad vision of the world is clear that he makes his animated movies with passion and care for the children (which are his intended audience). Viz Media deserves a price for this hardcover edition, the design and quality is top-notch and includes a brief, but insightful introduction by John Lasseter and an Afterword, by the also amazing director, Isao Takahata -from Grave of the Fireflies fame-.A recommended read by fans of anime, animation or Studio Ghibli and a must-buy by animation students.

Wasn’t expecting it to be so THICC, only more book for me to love

Starting Point: 1979-1996 is an amazing book. It's a heavy read, with essays covering everything from Miyazaki's works, to philosophy and religion, Japanese economy and the life of an animator and so much more. I found it a contradictory, frustrating and often pessimistic read but also to be incredibly fascinating and honest. It adds a whole new dimension to the man we know in Miyazaki. He's a genius as an animator but it seems he must be a terribly unfulfilled person in real life (he missed much of his children's lives due to his workaholic attitude). The book could do with some more pictures and maybe more information on his Nausicaa manga but otherwise it's a brilliant, if not always a happy read. I hope Viz Media release the sequel - Turning Point: 1997-2008, sometime in the near future. Highly recommended for Miyazaki fans. 5/5

Essays by and interviews with the artist. This is a specialty item that would appeal mostly to fans of Miyazaki. There is a lot in here about what he was thinking and trying to achieve with each animation. It also gives some insight into how animation was done prior to use of graphics workstations and a perspective on Japanese manga. And a lot more.Having read it cover-to-cover, it is probably better to start by reading chapters on topics of interest, then going back and for the rest. I found the first 70 pages unrewarding, and nearly gave up before reaching the "good stuff".

El libro llegó rápido, y en buen estado. Es un buen libro donde se comenta los detalles de las películas de Hayao miyasaki desde el punto de vista de alguien que estuvo cerca en diferentes etapas. El libro viene en inglés.

500 pagine di interviste, pensieri e qualche bozzetto di Miyazaki. Consigliato per chiunque voglia approfondire il maestro dello Studio Ghibli.

Buch für Fans und Interessierte. Als Geschenk hat es gut gepasst und war pünktlich da.

I just started reading, it will be guiding book for all the artist who wants to be a professional.

Esse livro é sensacional.Miyazaki formula todos seus textos com uma consistência impressionante. Seus pontos de vista e opiniões são claros e profundos, fundamentados em experiências e visão de mundo muito pessoais. É fascinante ver como um artista desse calibre "funciona" através de como ele vê a própria profissão. Eu não leio mais que cinco páginas dele sem marcar algum trecho.A facilidade com que o Miyazaki transita entre a sinceridade honesta que vem direto do coração e uma rabugice sem restrições também deixa a leitura bem divertida! Isso sem detrair em nada do conteúdo.Esse livro não é só excelente para quem se interessa por atuação, é uma ótima leitura para qualquer um que trabalhe ou goste de arte em geral. Recomendadíssimo!