Irma Voth

Irma Voth, the 19 year narrator of this uniquely original novel, starts off by telling us that her husband told her he isn't coming back until she learns to be a better wife. By the time you've finished the first paragraph, I was totally sucked in. I was laughing, and curious, and touched with this girl's innocence. And then on this journey as she develops experience, and courage.Having discovered Miriam Toews thru her novel, The Flying Fruckmans, I was curious about her background. She came from a Mennonite community in Canada. And then, with a few novels under her belt, was 'discovered' via the postage stamp sized author photo of her FACE, by a Mexican filmmaker who wanted to do a film on the Mennonite community.Irma Voth is the love child of that real life experience.Toews is so cool, walks this tightrope of humour and tragedy with such skill, and I wish I could sit down with her and ask her, how much of this is your story. She isn't Irma Voth - her experience as the 40-something female lead is actually a smaller characters - but Irma tells the story with such a great voice. She writes in English, but you really get the voice of the various Mexican characters.. what can I say. Just read it.I'm surprised it isn't a best seller. This would also make an amazing film. These pale blonde blue eyed people in the desert.. the ending is one of the most powerful endings to any novel I've ever read, because we simply don't know what happens next. I found myself, long after I read it, really hoping it's a happy ending.

Beautifully written. I haven't come across Miriam Toews before, and I wonder why! Her style is smooth and elegant; each word carefully chosen and placed. The story wasn't the most compelling I have read, but it doesn't matter - the characterisation is fabulous, and I couldn't get enough of her prose. I'd like to explore more of Toews' books now I have been introduced to her; her Mennonite background also makes for fascinatingly real reading.Thank you for this book - Mr B's Reading Year!

Irma Voth is a young woman of nineteen; she recently married against her father's wishes, and has even more recently been deserted by her husband, Jorge. Irma lives in northern Mexico, near Chihuahua, and is part of the Mennonite community - a strict religious group which has parallels with the Amish and, like the Amish, is not concerned with material matters or possessions and shuns the modern world of commercialism and consumerism. When a film crew arrives to make a film about the Mennonite community, which angers Irma's father, Irma makes the brave decision to work as a translator for the film director and, in doing so, comes into contact with people who live a very different life to hers.Irma's father, however, is determined to prevent Irma, and more especially Irma's younger sister, thirteen-year-old Aggie, from becoming tainted by the film crew's modern ways and his behaviour towards his daughters becomes even more unreasonable and abusive than normal. After yet another painful confrontation with her father where he threatens to evict Irma from her home and follows this with physically abusing Aggie, Irma realizes that she can no longer put up with his behaviour and decides to make a bid for freedom. Taking Aggie with her and also her baby sister, Irma manages to escape to Mexico City where she feels they will all be safe. But Irma gradually comes to the realization that you cannot escape your past and that to move forward there are some things that must be faced and dealt with.Miriam Toews is, I understand, one of Canada's most celebrated writers; she is also an actress and I would imagine that she has used her experience in the film industry to inform her writing for the first part of this novel; but it was not the first part of the novel that I found the most interesting - it was the second part where Irma struggled to cope with a difficult teenager and a very small baby in a strange city, which was more involving - if not entirely convincing. I found this book a little difficult to rate fairly as I had mixed feelings towards it; it's fresh, quirky, drily humorous and, in some ways, quite compelling, but I can appreciate that not everyone will find this a satisfying read. A friend, who was eager to read this immediately I had finished it, commented that the style of writing was difficult to 'get into', she found the first part of the story slow and she found the short sentences and lack of proper punctuation made for a confusing read. I do understand her reservations but I found that once I had acclimatized to Toews style of writing, this book made for an interesting, original and quite poignant, if not wholly convincing read.3.5 Stars

Excellent. Arrived promptly

Good seller.Book is fine

As the reviewer in the New York Times said, I would follow Irma anywhere. This novel is true to Mexico and its mysterious blend of love and violence and what can appear to outsiders as terminal dis-order. More importantly, Toews has created in Irma Voth a young woman who shows skill at being competent at survival and a self-questioner whose observations lead the reader to understand the world in which Irma lives...from her early years in Canada to her life in Mexico. There's so much about this story that's terrible... child abuse in many forms and violent death. But the total mix involves, not just tragedy, but humor, beauty, friendship, family love, and even the farce that lies behind the creative process of film making. I kept wishing that through some magic the book would suddenly expand to let me observe, marvel at, and learn from the next stages in Irma's life. I really want to see what becomes of the three sisters. I read a lot... and find myself disappointed over and over with authors whose books involve weak characterization and even weaker ability to use language effectively. In addition to showing a wide range of interesting people, Toews also handles first person narrative with rare skill. On a scale of 1 to 5, I give Irma Voth a 10.

Miriam Toews is one of kind!

This is an older story by the author but filled with the human angst of many of her books. Irma Voth is a complex, likeable character who so richly deserved to be cherished and loved. The restraints of the Mennonite faith coupled with a fierce German father have left their mark on her and her sisters. Both of her parents were complicit in not loving their daughters enough.

Chosen by my book group, this is an older title. I was happy to find a used, inexpensive copy to quickly read.