Screenwriting Unchained: Reclaim Your Creative Freedom and Master Story Structure (With The Story-Type Method)

Despite its cheesy title and cover, this book really delivers. It acknowledges the existing formulas but also allows for the fact that not all movies adhere precisely to the three act structure. Story structure advice is simple and practical. Ironically, many craft books are unfocused and wordy but “Screenwriting Unchained” covers a lot of ground in a concise way. This book has a lot of astute analysis of modern films that I found insightful. The concepts in this book are clearly and simply explained. I found it very useful to my writing and my understanding of film.

"As a late starter in screenwriting, I have worked through more than a hundred screenwriting books over the last six years, rarely completing most as they tend to repeat the same content absorbed in previous books. Screenwriting Unchained is the exception. Brilliant content, great structure and a refreshing perspective utilizing Maslow's well-known hierarchy of needs as a critical point of reference in screenwriting. Great book and well presented - a must read for new and experienced screenwriters." I believe in organising - I dislike like being chained!

I really hate to review this book, because I don't want the competition knowing about it--it's that good. But I'm doing it to support and encourage Emmanuel's brilliant efforts.

One of those seldom books that makes you rethink what you know and inspires you to look outside the Hollywoodian paradigms.

Another way to look at dramatic writing. Tends to be a bit repetitive but, that's okay.

Brilliant anaphylactic deconstructionof scriptwriting

I am so happy I bought this book, it's just what the doctor ordered. Working on a feature narrative I applied many of the lessons I learned, which resulted in a much tighter and more compelling final draft. Oberg's instruction on optimizing story framework is invaluable.

This is a thick book with lots of black & white illustrations of equipment. It is not for beginners just starting out. It would be a reference book for directors and camera shooters. It is the kind of book you do not read through from beginning to end, but take off the shelf to read the chapter on ________. Great history of film as a mention.

Well worth the read, to the point I am interested in also buying the other book he has on this methodology too.

Nachdem ich wirklich schon viele gute Bücher über das Schreiben gelesen habe, dachte ich, es gäbe nix neues mehr, nichts was mich überraschen könnte. Irrtum. Oberg hat mir mit seiner Unterteilung in characterled/plotled/themeled Dramaturgie sehr geholfen. Auch die Zusammenhänge mit der Bedürfnispyramide von Maslow hat für diverse Aha-Erlebnisse gesorgt. Er befreit von einer "zwanghaften" Dramaturgie und bringt viele neue Impulse, die auch für RomanautorInnen sehr erhellend sein können. Sein Englisch ist klar und gut verständlich. Absolute Leseempfehlung!

I think I have read most of the decent screenwriting books available and this one is by far the best value for money/time/effort. It is not overridden with theory but it manages to present a simple and easy-to-follow model, supported by plenty of examples. There is no magic - it all boils down to what the story of your characters is and who they are faced against (someone/something external or themselves, for example). I read it in one day and it answered many of my questions and I am sure I will read it again and again. If you want to read on this topic or if you are writing scripts (like me) - this is the first book you should buy (other sources I find too complicated or too simplistic - there are for example handbook that explain how to write good dialogue without explaining the story is).

Nous organisons des ateliers pour les professionnels du cinéma et avons décidé d'utiliser ce livre comme référence en l'achetant pour chaque nouveau participant. Son approche, tout en faisant la synthese des approches classiques de l'écriture de scénario, apporte aussi une nouvelle vision plus adaptée au cinéma du 21e siècle, prenant en compte des formes d'écriture que les "manuels" classiques ne pouvaient pas concevoir.Excellents case studies et bons outils pratiques pour la réécriture.

Contrairement à beaucoup de manuels verbeux, trop théoriques ou sans consistence, celui-là vous permettra certainement de passer un cap dans votre travail d'écriture. Emmanuel Oberg vous tient la main sans vous prendre de haut et vous délivre un concentré d'information et d'astuces.