🎬 Elevate Your Filmmaking Game!
The 7artisans 50mm T2.0 Cine Lens is designed for Sony E mount cameras, featuring a maximum T2 aperture for exceptional low-light performance, industry-standard focus and iris gears, and a unique lens construction that delivers beautiful bokeh. With a close focusing distance of 18.9 inches and compatibility across various Sony models, this lens is a must-have for aspiring filmmakers and professionals alike.
| Real Angle Of View | 46 Degrees |
| Maximum Aperture | 2.8 Millimeters |
| Minimum Aperture | 10 f |
| Compatible Camera Models | Sony A7R, Sony ZV-E1, Sony Alpha QX1, Sony A7S, Sony NEX-5R, Sony NEX-5T, Sony A7S II, Sony A6500, Sony A6400, Sony A6300, Sony A6100, Sony A6000, Sony FX30, Sony A7R IV, Sony A6700, Sony A6600, Sony A7R V, Sony NEX-7, Sony A9, Sony A7 III, Sony NEX-5, Sony A7 II, Sony A7 IV, Sony Alpha NEX-C3, Sony ZV-E10, Sony A7R II, Sony A5100, Sony A7S III, Sony A3000, Sony NEX-5N, Sony A5000, Sony A7C, Sony A9 II, Sony NEX-3, Sony A7, Sony A7R III, Sony A1 |
| Photo Filter Size | 82 Millimeters |
| Lens Mount | Sony E |
| Number of Diaphragm Blades | 12 |
| Minimum Focal Length | 28 |
| Lens Design | Prime |
| Focus Type | Manual Focus |
| Lens Fixed Focal Length | 50 Millimeters |
| Lens Coating Description | 米晶体镀膜 |
| Focal Length Description | 50 mm |
| Lens | Standard |
| Compatible Camera Mount | Sony E |
| Maximum Focal Length | 35 Millimeters |
K**E
Stellar - GREAT value
Looks good. captures great images. Makes me want to shoot more. Excellent pairing with FX3 Easy to use. Wish it were lighter. Wish they made a 24mm
R**S
Heavyweight but tough to focus.
I've ordered this lens twice and returned it twice. Ordered it because I the cinematic looking images you'll get are great. Returned it because the struggle, and difficulty of focusing manually, just isn't worth it. My subjects just won't sit still that long.
K**.
Great entry level Cine prime!
The value for your money on this is unbeatable. I can’t find any other full frame lenses on the market that compare in value. If you’re on a budget and want to test the water of cine lenses - I say go for it! This glass paired with my Sony fx3 truly elevated my kit. I have miraculously never owned a 50mm prime in my 7 years as a videographer but here I am, finally the owner of an infamous nifty 50!Quality - the weight is no heavier than I expected and the metal feels strong and high quality.There’s a softer look to this lens than a traditional photo lens and that’s what I was looking for. (I also purchased the 85 mm but I think it actually looks TOO soft.) The 50 mm T2.0 looks great closed or wide open.Focus - I got a mini follow focus for this lens and I love pulling focus on it.Overall - I know you get higher quality when you spend more $$ so just know this is entry level but in my opinion the lighting + composition + story is the most import quality in creating a video of any sort. I’m happy to blend those with an affordable lens like the 7artisans 50 mm
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