Love in a Dark Time: And Other Explorations of Gay Lives and Literature

This is my first nonfiction read by Toibin. I've read three of his novels and think he gets better with each one. THE BLACKWATER LIGHTSHIP was an altogether fine book and deserved the Booker Prize I think. So I couldn't wait to start this one. I confess that I'm not sure what is going on here. In the introduction Mr. Toibin presents some of his favorite artists. He says that he writes about "gay figures for whom, in the main, being gay seemed to come second in their public lives" writers who write in code, whose works are not published during their lifetime, who use vague pronouns in their poetry. (Certainly I wouldn't have wanted to miss a novel like "DEATH IN VENICE," for instance.) Toibin goes on further to say that writing this book helped him come to terms with his "own interest in secret, erotic energy," his interest in both Catholicism and Irish Protestants, his admiration for "figures who lived in a dark time and were not afraid," and his fascination with sadness and tragedy. Herein lives Mr. Toibin's problem. He takes on too much in too little space. Additionally his treatment of these artists he admires is wildly uneven, both in depth and space. For example, the chapter on Oscar Wilde covers almost 50 pages; the chapter on Mark Doty-- one of my favorite writers-- covers only 7. And for the life of me I'm not sure what Mr. Toibin is trying to say in the concluding chapter entitled "Good-bye to Catholic Ireland," a chapter I read twice. Like many Catholics who attempt to say what is wrong with their church, Mr. Toibin is too "tentative," a word he uses elsewhere in this book, in his taking on the church. Certainly he is not alone in his dilemma, however. It's easy for me to make that criticism, never having walked in a Catholic altar boy's shoes either. In Toibin's chapter on Elizabeth Bishop, we are told that "like all orphans, Bishop was clever at making friends and inventing a family for herself." I suspect that that statement is true for many people but for "all orphans"? I'm not sure that that is a true statement.There is a lot to like about this book, however. Mr. Toibin is never dull and is best when doing a narrative, something we would expect from a fine novelist. For example, when he describes a party that both he and Almodovar attended in Madrid, I wanted to be there. When I finished this book, I wanted to reread James Baldwin and read for the first time both Elizabeth Bishop and Thom Gunn. Toibin is also good at giving us delicious trivia about people. For example, we learn that Francis Bacon slept with a dog the night before being examined for military service in order to exacerbate his asthma and flunk his physical.I'm certainly glad I read this book and would read anything by this writer. I just don't think this book is as good as Mr. Toibin's fiction.

Toibin's books are always GOOD!

Colm Toibín was approached by a London literary journal; with the prospective of producing brief lives of gay cultural figures in the twentieth century; though he was initially hesitant, they kept sending along to him books to review and he found himself writing the pieces anyway. We should be grateful he did so: he collected them in this anthology, and they're absolutely terrific. Toibin discovered from this he had a real flair for life writing (which he demonstrated later in his brief biography LADY GREGORY'S TOOTHBRUSH and his novel of Henry James's later ears, THE MASTER), and his writingh has just the right approach: he's amusing but never heavy-handed, and he is extraordinary at finding just the right anecdote to illuminate an entire life. The pieces on James Baldwin and Francis Bacon are the best on the book (and sent me out to read more on them), but all of the pieces are terrific... with the exception of a silly piece on Pedro Alomodovar he wrote for VANITY FAIR that just doesn't fit in with the rest of the anthology. (It's written in that contemptible and self-congratulatory VANITY FAIR profile style, and tells us little about Almodovar's actual life.)

This retrospective from this award-winning Irish gay novelist is a very informative, enlightening, and opinionated reading for anyone, but especially gay readers, interested in gay literature. The author's aim was to write a book about a group of authors and their books that he read in his youth, that deeply influenced him, and that he discovered only years later were by gay authors. These authors became companions that had the same interests as he did. Toibin examines the lives of such authors as; Thomas Mann, James Baldwin, Roger Casement, and poets Mark Doty, and Thom Gunn. These authors are some of the most influential gay writers of our time, but some had to keep their sexuality hidden by choice or necessity. I enjoyed all of Toibin's examinations of these fine authors but after reading Toibin's chapter about Roger Casement's "Black Diaries", which were supposedly vivid records of his sexual partners, I'm still left wondering whether or not they really existed.This book shows how deeply serious this author is about his love of books. You will walk away with an entirely new view of the life and work of these authors who have clearly influenced Toibin's life. It is a book that makes you think of your own favorite authors and how they have affected your life. This is a wonderful book, like no other I have read. Highly Recommended!Joe Hanssen

Colm Toibin's "Love in a Dark Time" is a superior group of essays by one gay writer about other gay writers. What distinguishes this 2001 collection is how effectively Toibin sells the work of each figure essayed. I was never interested in James Baldwin before, but after reading Toibin's take, I ran out and enjoyed two Baldwin books. In the piece on Thomas Mann, we see how many of his male infatuations Mann turned into art--which infatuations into which stories--a subject being studied in detail only now by his biographers. And in the profile of Pedro Almodovar, we meet the Spanish torch singer Chavela Vargas, whom Almodovar rescued from obscurity because her confessional art mirrored so closely the values of his own cinema of women. A wonderful collection of essays that illuminate, indeed sell, each subject.

Fabulously priced

wonderfully written and full of insights into being gay in heteronormative cultures and societies, as well as insights into what it means to be a writer. I particularly liked the chapter on James Baldwin.

Zum Inhalt kann ich nichts sagen, da es ein Geschenk ist. Umso ärgerlicher ist daher, dass das Buch in einem einigermaßen gebrauchten Zustand ankam. Davon konnte ich zuvor nichts entdecken, Zeit zum Umtauschen war dann leider auch nicht mehr. Es war jetzt absolut nicht in einem total zerstörten Zustand, aber eben doch mit merklichen Gebrauchsspuren.