Schindler's List - 20th Anniversary Edition [DVD] [1993]

This film was amazing and really shows the suffering and pain these poor people went through, heavy to watch but so important to do so!

Moving true story.

Came home from Poland and watched a great representation of what happened

WWII and The Holocaust were events of mind bending statistics and proportions. Tens of thousands dead in single bombing raids, 20+ million Soviets dead, 15+ million Chinese dead, 6+ million Poles dead, 7+ million Germans dead, 11 million the victim of Nazi genocide – it just beggars belief. The European and Pacific theatres were so dreadful, so massive, that it’s impossible for one to fully process it emotionally.Schindler’s List is one of the finest cinematic depictions of those dark years; a sweeping, brutal film that brings a remarkable story to the attention of millions of viewers. However, as with all historical films, it does not serve as the definitive source of information.The film follows Oskar Schindler (Liam Neeson), a Sudeten German businessman who reaped the benefits of slave labour during WWII. With his imposing presence and magnetism, he charms his way through Nazi circles, soon operating an enamelware factory in Kraków, Poland using Jewish labour. At this point Schindler appears largely indifferent to the persecution all around him, or rather he avoids confronting the ugly truth of the Nazi’s approaching final solution.He eventually becomes acquainted with perhaps the most memorable character of the film Amon Göth, the callously evil commandant of the Płaszów concentration camp who is performed excellently by Ralph Fiennes. Göth was an incredibly violent man, the extent of his crimes were such that his sentencing was phrased as following: ‘Amon Göth himself killed, maimed and tortured a substantial, albeit unidentified, number of people.’ Göth’s violence isn’t sugarcoated in the film, he shoots dozens of defenceless people and never shows even a modicum of remorse, so fanatical is his hatred for them. The film is starkly brutal, there is no cinematic sheen, the scores that are shot bleed profusely as they fall to the ground like rag dolls.Fiennes, whose face can be both that of a mild-mannered Englishman and sinister villain all at once, delivers a performance that’s nuanced and restrained yet hauntingly evil. Just like an inundated office worker, Göth complains to Oskar about the pressures of the job, which at the time is the exhumation of thousands of rotting corpses – ‘Can you believe this? As if I don’t have enough to do they come up with this? I have to find every rag buried up here and burn it.’Like Adolf Eichmann, the logistics man responsible for the deportation of hundreds of thousands of Hungarian Jews, Fiennes’ depiction of Amon Göth is another example of Hannah Arendt’s phrase ‘the banality of evil’. It is a compelling depiction of one of the Third Reich’s most committed defenders; a man deeply entrenched in Nazi ideology that has lost almost all humanity.The relationship between Schindler and Göth and his SS cronies is quite uneasy for the viewer. Schindler enjoys pushing the boundaries, he thrives off being a renegade, in one scene he kisses a Jewish woman in the presence of a whole party of SS officials.As the film progresses and Schindler realises both the abhorrence of the situation and his power to do something about it, something of a good vs. evil dichotomy arises. Deriders may say this is a simplistic construct, but it isn’t, they are two complex characters. Their exchanges shows that Schindler is the strongest leader between him, he has personality and charm, whereas Göth only has ruthless barbarism, something Göth realises and struggles with.The film has grand scope and many brilliant set pieces. A notable example is the ‘Red girl’ scene during the liquidation of the Krakow ghetto, it is very impressive logistically, there are countless extras who all need directing. Schindler, who is atop a hill witnessing the brutality below, is the camera’s point of view, following this little girl in a red coat (famously one of the few moments of colour in the film) as she navigates her way through all the murder and pillaging. The scale of the scenes at the Płaszów concentration camp is also considerable, particularly as great masses of prisoners, naked and completely dehumanised, are shuffled around like cattle for inspection.Interestingly, Spielberg said that Schindler really did see a red girl walk down the street unharmed during the liquidation; Spielberg then said that her bright red coat represented the obviousness of the Holocaust and how the Allied governments were aware of what was happening yet didn’t take any decisive actions in stopping it. I am not one for finding grand metaphors in an item such as a red coat, I think the scene is most interesting as a re-enactment of Schindler’s account, however I’m sure many would.Cinematographer Janusz Kaminski said that the film was shot in black and white so it would look ‘timeless’. I think the colouring achieved the desired effect, and I also think the film’s visceral edge and authenticity was achieved through the hand-held, shaky cinematography that would later work so well in Saving Private Ryan (1998).A great film will almost always have a great score, and it is no different with Schindler’s List as Spielberg once again found a masterful auditory companion in John Williams, whose beautifully melancholy score, particularly the central violin melody, has become instantly recognisable to many people.The depiction of the mass exhumation at Chujowa Górka (pictured above) is set against the backdrop of Immolation (With Our Lives, We Give Life), the stirring operatic vocals and chords of which make the scene almost apocalyptic. There is also notable use of Hebrew music, such as the ebullient Yerushalaim Shel Zahav and the haunting Oyf’n Pripetshek/Nacht Aktion. Even the trailer leaves a huge impression through music. ‘Exodus’, a work by the celebrated Polish composer Wojciech Kilar, has a brooding subtlety that emphasises the trailer’s ominous ambiguity, making its two minutes and twelve seconds most moving and unsettling.Despite massive universal acclaim, the film inevitably had its detractors, most notably Stanley Kubrick, who said:‘The Holocaust is about 6 million people who get killed. Schindler’s List is about 600 who don’t.’Firstly, around 1200 were saved, not 600. Kubrick suggests that ‘Schindler’s List’ is somehow a sugar-coated account of the Holocaust, it certainly isn’t. It is a true story, Oskar Schindler really did save 1200 people, it isn’t a fanciful, maudlin figment of a screenwriter’s imagination. It is an emotionally affecting yet tactful depiction of both the systematic murder of scores of defenceless people and a complicated man’s remarkable act of humanity in the face of unimaginable suffering.97%

I watched this years ago and decided I wanted to watch it again.

We had this film on video tape (I know old) purchased for my husband for Christmas to replace video. It's a great film.

Firstly... If you haven't seen the film, this is going to be a huge treat for your first time seeing it. The film itself is so moving, powerful, superbly cast and even very darkly humorous throughout. I need not go into detail about the story of the film right? Because you want to know what the Blu-Ray transfer is like... Well its like the title to this review states... Brilliant!Picture: The contrasts between black and whites are what really come into play with this masterpiece. The whole film is on ONE DISC so you needn't worry about having to get up at around 1hr n'40 to change discs such as the superb DVD release from a few years back. The film flows smoothly along at about 20mbps which considering its a 3 hour film means it should look less impressive, but there are no extras on disc one at all, and just a minimal menu... So as for picture quality, it really sets the black and white tones of smoke from the trains at the start and the burning ends of characters cigarettes into a crisp clear showcase.Presentation: I suggest that you pay the extra £1-2 for the special limited edition book edition as I have, which holds one disc on each side of the case and binds a book built into the spine which separates the two discs and keeps them well encased when not in use. It's sturdy and brittle, so it won't break if dropped (I don't suggest you use it as a frisbee mind you) and the book is very similar to the one included in the DVD special edition, but with differing illustrations and as I don't have a photographic memory OR my copy of the DVD anymore, the text may be slightly different too. Its lovely to hold and to look at, and definitely worth the extra bit of money.Sound: This movie has a John Williams score (as do 99.99999% of Spielbergs movies) and this is brought to life also. You don't really have to question a release from Universal when it comes to sound, but seeing as I do not own an expensive home-cinema sound system, I can tell you that it sounded just fine on my LG 50" Plasma, with its built in speakers. This is usually a good indicator of a well mixed multi-track downsample, but hopefully a reviewer with a better sound system will help me to answer this one more aptly.All in all: I strongly suggest that if you have the funds, you should purchase Stephen Spielbergs one true piece of epic cinema. I don't mean I dislike his other movies in saying this, I simply mean that this truly is up there with the best films ever made, and if you are wondering if you should upgrade from DVD-Blu-ray with this masterpiece, I would strongly recommend it. Lastly... I don't want to sound corny or holier-than-thou, but I really consider this a genuinely astonishing and important homage to a brilliant man and a VERY brave generation, and my heart goes out to the Jewish people who were so brutally murdered 70-75 years ago.

Just brilliant, but upsetting and uplifting in equal measure.