Product Description Sergio is a guileful businessman who manages a group of young escorts which he uses to bribe local politicians and authority figures. With a desire for increased political leverage, he sets his eyes on bigger game and makes it his duty to work his way into the ranks of a man with a notorious taste for both hedonism and corruption - Italy's Prime Minister, Silvio Berlusconi. Master filmmaker Paolo Sorrentino (Youth, The Great Beauty) teams up once again with longtime collaborator Toni Servillo (Il Divo, The Great Beauty) to reveal the scandalous and, until now, unseen private life of Italy s most infamous politician. Review Loro is a strange and intriguing film, scripted by Sorrentino with his longtime writing partner Umberto Contarello: sometimes whimsical, sometimes gruellingly sordid, sometimes wayward in those Fellini-esque departures and dreamlike epiphanies of which Sorrentino has made himself such a master. Does it offer a vision of the spiritual heart of Berlusconian darkness? Or something more ambiguous and lenient, a glumly comic vision of an opera buffa figure who has receded into history, long since replaced by Trump and Weinstein as key players of nastiness and misogyny? For all the tackiness and misery, it actually flatters Berlusconi. Servillo is such a smart and sympathetic actor that he surrounds Silvio with an aura that he doesn t deserve. And his Berlusconi is shown behaving relatively well: though always a bully and a creep with women, he is depicted as still pathetically in love with his wife, Veronica (Elena Sofia Ricci), who has come to despise him. In one surreally composed mirror-image scene, business associate Ennio Doris (also played by Servillo) persuades him to reimburse out-of-pocket investors because it is good publicity and altruism is the best way to be selfish . - Peter Bradshaw (3 Stars) --https://www.theguardian.com/film/2019/apr/17/loro-review-paolo-sorrentinoServillo is both grotesque and captivating, perhaps lending the real-life monster a little too much charm there s a great moment where he is sexually rebuffed by a 20-year-old (Alice Pagani) because his breath reminds her of her grandfather s. It s a blip in the film s non-stop orgy of sex, drugs, bunga bunga games and bad pop music. If it s not Sorrentino on tip-top Great Beauty form there are slack stretches and, in stitching two films together, the film has a strange dramatic shape it nonetheless has images (an exploding garbage truck) and sequences that remain bold, stylish and intoxicating. - Ian Freer (4 Stars) --https://www.empireonline.com/movies/reviews/loro-review/ P.when('A').execute(function(A) { A.on('a:expander:toggle_description:toggle:collapse', function(data) { window.scroll(0, data.expander.$expander[0].offsetTop-100); }); }); About the Actor Marco Antonio Toni Servillo, born 25 January 1959, is an Italian actor and theatre director. He has won the European Film Award for Best Actor twice, in 2008 for both Gomorrah and Il Divo and in 2013 for The Great Beauty, as well as winning the David di Donatello for Best Actor four times from 2002 to 2013. About the Director Paolo Sorrentino was born on May 31, 1970 in Naples, Campania, Italy. He is a writer and director, known for Youth (2015), The Great Beauty (2013) and This Must Be the Place (2011). See more
U**R
Amazing
Amazing movie
C**Y
Oddly enjoyable
Sorrentino has an interesting approach to film-making; apart from long tracking shots he continually surprises. This is perhaps one of his odder products but then it is about Berlusconi who is a real original. The filming is beautiful if mystifying, there are moments that remain (the gurning scene, the wonderful selling scene, the sewage truck ) some that confused me at first (the scene where he plays two people) and others that I never got close too (the sheep). But that does not matter for me, iot is Sorrentino.
D**S
Another masterpiece . . .
A film from Sorrentino is always an event to be savoured - and if the finest actor in Europe, Tony Servillo. leads the cast, there is a cinematic feast to expect - few would argue that Il Divo set the bar high. The decision to release the film in two parts didnt work for me personally - the first part was overlong and indulged in endless images of beautiful women and drug taking, serving only as a scene setter for part two. However, it's another masterpiece from Sorrentino - and always fun identifying the scenes in which he pays homage to Fellini.
N**T
Loro Dvd
Good cinema.Worth watching-There's a couple of good scenes in there.Nothing I'd immediately watch twice thokugh.
M**S
Appalling subtitles
I was so looking forward to seeing Paolo Sorrentino's latest film having enjoyed his excellent 'The Great Beauty'. Alas Curzon Artificial Eye have released 'Loro' with the worst sub-titling I've ever found on any foreign language film. Huge chunks of dialogue are untranslated, and what remains is incomplete and inaccurate. A total car crash of a release. I will be asking for my money back.
B**H
a satire on Berlusconi
Good in parts
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