Wuthering Heights: Discover the classic Gothic love story before you see the film (Collins Classics)

Probably among the top 5 favorite reads of my life thus far. Read it. Then read it again. (Would recommend reading it through the kindle app, as it helps with quickly acquiring the definitions and explanations of the archaic words and phrases that are often attributed to being the reason people shy away from tackling the classics ♡)

What a Morose book this is! This is the first book that I have read by the Bronte sisters. I was really looking forward to it. It begins with the story of Mr. Lockwood entering the house of Heathcliff (Wuthering Heights) and the reader finding out that the people inhabiting the house are just nasty. This includes Heathcliff, Hareton and Catherine (the younger). Some have indicated that this is a love story. I am not so sure of that. It is clear in the story that Heathcliff was in love with Catherine (the elder) and was deeply hurt when she married Edgar. He goes off for three years and returns with money. However, where and how he got his money is never explained in the story. Now that he has returned, it is Heathcliff's intention to get revenge on those that he believed have wronged him. This includes Hindley, Catherine's brother, Edgar, Hareton, Linton (his own son) and Isabella. If he cannot get his revenge on those that wronged him, he will get it on the children of those that wronged him such as Hareton and Catherine (the younger). Shortly after he returns, Catherine (the elder) dies but not before giving birth to her and Edgar's dauther Catherine. By this time though, Heathcliff has married Isabella, Edgar's sister. Heathcliff wants to get his hands on Thrushcross Grange since this is the home of Edgar and Catherine. On the day after he is married to Isabella, he basically tells her that he married her to get possession of Thrushcross Grange. It is at this point that I realized that Heathcliff was an evil person. It is also at this point that I no longer considered the novel to be a love story. Heathcliff's love has now been turned into hatred. He has one thing on this mind and that is to make those around him miserable. When he returns to Wuthering Heights, Hindley is a drunk and an gambler. Hindley's son Hareton will inherit Wuthering Heights but Heathcliff gives money to Hindley and now becomes the mortgagor of the property so that when Hindley dies Heathcliff becomes the owner of Wuthering Heights. If Edgar dies without Catherine being married she will inherit Thrushcross Grange. When Edgar gets a letter from his sister, Isabella (remember that is Heathcliff's wife) that she is dying and wants him to take care of her son, Linton (Heathcliff's son too), he goes and gets him from near London. On the night of their return, Heathcliff sends Joseph to get him. The next day Linton leaves to live a Wuthering Heights. Given his condition, he gets Linton to correspond with Catherine but since Nelly and Edgar are standing in the way of their marriage, he forces Catherine to marry Linton. Therefore, when Edgar dies Thrushcross Grange becomes the property of Linton. Linton, being sickly through the whole bood, soon dies and wills the Thrushcross Grange to Heathcliff. At this time, Catherine, Hareton, and Heathcliff are all living at Wuthering Heights and he rents Thrushcross Grange to Mr. Lockwood. At the time Catherine (the elder) dies, Heathcliff asks that her ghost haunt him. In the last couple of chapters, it appears that Heathcliff continually sees Catherine's ghost. Heathcliff fails to eat and eventually dies. At that time, Hareton and Catherine are falling in love, which is the only happy part in the book (other than Heathcliff dying). All in all, this is a very dark story. This is a story of love (at first) and then hatred. This is a story of how hatred can destroy a person as well as those around him. It is a good story but I don't consider this a love story. Heathcliff is an evil person that never changes his ways of making other miserable. He enjoys making other miserable. I liked the book but it is just a little too dark for me to give it a five star rating.

Readers either love or hate Wuthering Heights with a passion but under no circumstance are they indifferent and there is a reason for that. This book is a too powerful force of nature that devours the reader and does not let they leave. Many hate to be dragged like that. I'm among those who love it, and here are three reasons why: First, I was overwhelmed by the intricate structure of the narrative, which flashes back and forward and intertwines several layers of narrators, from the ostensive Lockwood, to the fantastic voice of Nelly Dean, and then in another layer to what Nelly heard and read from Heathcliff, Isabella and Zillah. Emily Brontë manages to transition from one voice to the next smoothly and seamlessly, while sustaining a cohesive and consistent narrative that, for the length of time it covers, moves really fast. Indeed, I was amazed with how well she cuts any 'shoe leather' (there is particularly one transition, from the moors to inside Heathcliff's house in Chapter 27 that made me wow.) Nelly is a formidable storyteller if not a film editor, not only for what she tells and comments but also for what she disregards or conveniently excludes altogether. Some people say there are unnecessary characters, Lockwood being the most notorious one. But to me, having Lockwood to open room for Nelly is as clever as using Ellis Bell as a pen name, because with that Emily Brontë not only circumvented the prejudice against women authors in the Victorian Society but managed to tell a story in which a housekeeper has a lot to say and do. And imho this device also serves the plot well, because Lockwood's interest on Catherine adds to his unreliability (while he seems to let Nelly's voice reverberate untouched) as much as Nelly's own subtle influence on the destinies of the Earnshaws and Lintons goes unnoticed. Second, there is a formidable storytelling that is both dark, cold and gloomy but also bright, warm, tender and beautiful, and this balance is so well put that readers can either see the novel as a romantic love story or a horror tale of violence and hatred. There are many duplicates and characters are also multifaceted. Most readers detest all characters because of their arrogant, selfish and even violent behavior but, in my view, they are tremendously rich of vulnerability and ambiguity. There is no one to clearly root for but at least to me it was difficult to hate them either. I may be a too indulgent kind of reader, but I felt WH was like Shyamalan's Servant where characters are mostly dislikeable but you just can't let them go. They are a too interesting pack of people to be forsaken. Virginia Woolf describes these characters as impossible in the real world, but yet captivating, which she attributes to Emily's rarest of all powers in a poet: "She could free life from its dependence on facts; with a few touches indicate the spirit of a face so that it needs no body." These characters are not real people, but they feel like people you know all the same. Third, there is the supernatural. From the first scene when Lockwood meets Heathcliff, it became clear that Emily Brontë was no Jane Austen. Indeed, I began WH imagining Heathcliff as a kind of Servant's Uncle George in his natural habitat, rude and rough but tough and disciplined. Then there is the dreamlike haunting scene in Catherine's room (what was that, Kate Bush?) and the creepy, supernatural atmosphere never leaves completely anymore. The second half of the book that covers the second generation was so suffocating that I kept asking myself, as indeed I did in Servant, "why didn't these people escape the evil influence of Heathcliff and go live their lives peacefully elsewhere?" Like Leanne Grayson in Servant, Heathcliff's ability to take control of people seems superhuman, it transcends. Some scholars even see Heathcliff as a demonic figure in the Miltonian tradition of Frankenstein. I didn't know before finishing WH that the Brontë Sisters were not from upper classes in England and wrote their books from their reclusive lives in the far lands of Yorkshire (that made me admire the power of Emily's ideas even more.) Inspiration certainly came from her readings, and I can see Hamlet and Macbeth in WH, while its creepy conclusion goes along with Victor Hugo's The Hunchback of Notre Dame (and now I think, Heathcliff a gypsy just like Esmeralda!). Harold Bloom recognizes Lord Byron, and other scholars explore the hidden parallels of WH with John Milton's Paradise Lost. Richard Ellman mentions that James Joyce once said to Eugene Jolas, while reading WH: "This woman had pure imagination; Kipling had it too, and certainly Yeats." That is more or less how I felt when finishing WH: Emily Brontë's imagination is powerful and irresistible as is her language and style, even when she goes over the top. WH is a force of nature that is futile to resist, it engulfs you with its hyperbolic style, cruel and violent characters, and bleaky and foggy atmosphere. In my case, it took me completely and does not seem to let me go anytime soon.

The layout of this book is really poor—it doesn’t even have a preface or a table of contents. Without a table of contents, it’s hard to flip to a specific chapter since there’s no way to know what page it’s on. In most books, a new chapter starts at the top of a page, but in this one, chapters can appear anywhere on the page, clearly to save space and paper. But this kind of formatting is very unfriendly to readers. The text is densely packed, with barely any white space, which makes it tiring to read. On top of that, the font is very small, so it’s hard on the eyes. That said, the novel itself is excellent—it’s one of my favorite works of English literature. That’s why I plan to buy another edition from a different publisher with better printing and layout.

I am a student in high school who is 17 years old, a product of the modern generation, and being forced to read this book for my AP English Literature class. Going into it, of course I knew of its reputation. But I also knew of its size. And at the same time, one can't help but think how a Victorian Era woman could cross time and gender conflict to get in touch with a 17 year old guy. Boy, was I wrong. Wuthering Heights by Emily Bronte is a book to get lost in. The multi-layered, time jumping story absorbs the reader quickly and effortlessly, and doesn't let go until long after one's stay in the English countryside. A lot of the characters in this book are bad people, but none of them are bad characters. From powerful, crystal clear motives to mystery and revenge, Wuthering Heights has it all. And it's not going anywhere, so you might as well hop on the bandwagon and read it. For those of you not in the know, Wuthering Heights is centered around a man named Heathcliff, who rents a house to a certain Mr. Lockwood early on in the book. Lockwood, our narrator, is shocked by some of the conditions Heathcliff is living in, and then asks his maid, Nelly, about it. Lockwood transcribes Nelly's words, creating two narrators. At one point in the novel, Lockwood is writing down Nelly's words about Isabella reading Heathcliff's letter. That's four narrator's at once. Oh. My. Gosh. But don't you worry. Emily Bronte is no lightweight, and she can manage each and every character and story thread. I've touched upon this once and will continue with it for a while: there's a reason this book is a classic and so widely read. On top of the plot, which is all consuming and entertaining (It's almost like Harry Potter and the Sorcerer's Stone (Book 1) , A Game of Thrones (A Song of Ice and Fire, Book 1) , or some other fantasy novel the way it creates its own world), there is this fierce underlying theme of love. But what's so great about this books theme is that its not a thesis statement. This book is a discussion of love, what it can do to man, what it creates, what it destroys. You'll find more academic truth in this novel about man's condition than you ever will in ay bare bones medical text book. The strongest point in this book is the characters. Isabella, Linton, Heathcliff, Catherine ( A woman after my own heart), and many, many more stick with you for a long time. Nelly, especially, who isn't just a lame narrator. She truly brings some stuff to the table, and I've known a lot of people like her, so I have a soft spot for her in my heart. It's hard to write a review of this novel because it's literally just so good. And that sounds cheesy, because its a classic and if you're here, you know its supposed to be good. But I cannot stress enough how this one not only lives up to, but it exceeds expectations for how good its supposed ot be. Don't pass this up.

Arrived in good condition despite being used Great classic Been wanting to this for years Missed it in classic lit in college

The book is amazing, but why do Kindle books always have so many typos? It’s a trend I’ve noticed across all Kindle books I read, it dampers the experience.

Good book! Really loved it!