24mm F2.8 Anamorphic Cinema Lens 1.33x APS-C (E Mount)

Ideal per utilitzar en vídeo però l’he provat per fotografia i també té molta qualitat, perfecte!

After being impressed with Sirui's 50mm and 35mm I had to get their 24mm lens to have the set so far. I am more into wider shots so this 24mm is more for those who want that extra horizontal field of view. I do hope Sirui manufacture an even wider lens (15mm would work really well especially for micro four thirds) but for now using a 0.43 wide angle adapter with the lens works really well as long as you do not mind the soft distorted edges. One thing to note is that this only shoots up to F2.8 aperture and not F1.8 like the previous 2 but because it is 24mm you still will get a shallow depth of field if you are close to your subject, speaking of which this is the only anamorphic lens I know that can shoot 2 feet away the others were about 2.5 feet and most anamorphic lenses have a minimum focus distance of 3 feet. Overall build quality is amazing as expected and the image from all of Sirui's lenses are very sharp for an anamorphic with great contrast and all the so called anamorphic flaws are there (if you want real oval bokeh you will need to modify the lens) If you buy from Sirui themselves shipment is very quick as this arrived about a week earlier then its estimated date which is amazing. If you want to explore anamorphic imagery with a wide lens then this is the perfect start and I hope Sirui takes off as the low budget anamorphic Kings as you will never get a cheap set with amazing build and I hope Sirui continues to manufacture more lenses down the line I know the 75mm is out but as mentioned I hope they do a wider lens then the 24mm but this 24mm is amazing overall.

The best introduction into anamorphic you can get! Focus ring also works great on a puller!

discretamente incisiva. bella distorsione, flares sufficienti. a 1 metro diventa 1.28x

Un ottima lente anamorfica ad un prezzo molto conveniente di un brand che ormai reputo tra i migliori costruttori di ottiche video. La lente copre il sensore aps-c quindi si può utilizzare su micro quattro terzi, S35 e full frame nella modalità apsc. Il flare è blu, l'immagine risulta molto cinematografica non solo per il rapporto di aspetto ma anche per la 'pasta' tipica con le aberrazioni tipiche dell'anamorfico che sono diventate una peculiarità per ottenere una resa cinematografica.