King Lear (Dover Thrift Editions: Plays)
V**A
A classic play
Needed a script I could create my directors book from and this worked great. This is a wonderful play.
A**N
A Great Read!
A delightful examination of Shakespeare's genius, "King Lear" I was captivated by the captivating beauty of the language and the rich tapestry of characters. It is indisputable that the happiness this edition, with its perceptive annotations, brought to both new and devoted fans alike. "King Lear" is a personal journey into timeless literary brilliance, not just a classic. Strongly suggested for a captivating and fulfilling reading experience.
S**E
Great Ideas--But Beware!
I bought this edition as a teaching supplement, not realizing that it is the folio version of the play. The words "quarto" and "folio" refer to the size of the pages in the two editions. Many secondary schools and universities use the quarto edition and a lot is left out of the folio--this version cuts out three hundred lines and adds one hundred new ones. The effect is that it alters the way the characters are shown. If you are reading the play with a class and they have a quarto version, while you are using your trusty teacher's Cambridge, chances are there will be a lot of blank expressions and confusion on their faces. The lines they see will not jibe with yours. The extra articles and class activities are great though--just make sure that if you use the Cambridge, you have your students buy only folio editions.
R**N
Reading for the drama major in your life.
If you have a child that's into drama chances are they can and will be reading king Lear at some point. This is a reprint of the classic Shakespeare play that's based little bit off of the mythological person that it's named after. It's a classic tragedy that's a bit heavy with politics. It's a good read for teens and you will most likely find yourself buying this if you have a child that's going through highschool. The text as far as I can tell is not modified and still appears to be in its original form. 10/10
V**N
A production in panels
There's an amusing quote on the back from a member of some Shakespearean society about how this book is a vital tool for young readers who cannot appreciate Shakespeare. This just smacks of pretension, and is presumably a remnant of those pre-Sparknotes days when students cheated with comic books, rather than simply googling summaries as they do now. This is a fine, fine book, and a whole heck of a lot more than a mere learning tool. Shakespeare wrote play, and plays are meant to be performed, to be seen rather than read. This book reads like a unique Lear production, with Pollock's lovely art providing every element except the gorgeous prose; not a single word has been changed or omitted.Pollock has said that he took up this project for the chance to do a comic book, loving the Beano more than the Bard. I find this rather extraordinary, in that Pollock is able to capture the characters so well; his understanding of the cast suggests someone with a great passion for Lear. His talent for caricature is a beauty, his paintings capturing the broad, iconic look of the characters as well as the little subtle touches. He nails the players better than most actors have. He's also does a great job making the transition from illustrator/single-panel cartoonist to a full blown panelist. There can be a bit of a disconnect from panel to panel at times, but his compositions are always perfectly arranged; this extends from the panels to the pages as a whole, with each element carefully balanced and weighed together. Rather than the usual naturalistic flow of most comics, he treats each page as an illustration in it's entirety and avoids the usual painted comic pitfall of placing the focus upon pretty pictures that don't really tell a story.This is more than a dinky novelty; this is a superb play with virtuoso performances all around. This is some d*mn good s***, man. Buy it.
A**N
"Effects of courtesy, dues of gratitude..."
Ok - it's Shakespeare: points awarded. But I found myself loving the word play immensely. I was scratching notes in the columns - started my own word count when I found patterns... and then (as this was read for school) went head-first into the analytical essay to be written. Oddly - the instructor now has us working on a research paper which asks, "Did Shakespeare write Shakespeare?"And a NOTE: I always wait to read any prologues or introductions AFTER I've read a text. I don't want the "authoritative voice" in the intro influencing my take on the book. But I do read them AFTER. This intro by Russell Fraser has to be the most inane blather I've found yet. It directly cops lines out of the play. And Fraser just makes himself giddy by musically rearranging words and paragraphs to no particular point - it is the sound of ones insides turning themselves out. As Goneril put it - "Good sir, to th' purpose."
A**S
An Experiment in Secular Humanism
King Lear is bleak even amongst Shakespeare’s tragedies. Not only do the just and unjust both perish but there is a pervasive sense that man is the plaything of the gods, if they peer down at all.And yet, critics also note that undoubtedly, as a result of his sufferings, Lear grows in character. The king who bestows his kingdom on two daughters because of flattery and turns out the other based on honesty is not the same person who recognizes his weaknesses and failings and stands solemnly as the true king at the end of the play.If this is so, if character transformation and morality can be the product of human effort and not divine intervention, could we not call King Lear an exercise in secular humanism? That is, when we cast off mythologies we do not cast away all moralities but see the wisdom and goodness these tales sometimes brought?It’s only an interpretation, and it may be a stretch at that, but that is the only way I can conceive of the combination of theological darkness and the depth of humanity shown in Lear. it is a brutal vision of life, tempered only by the peculiar ability of the human animal to mature and grow. Or, in short, a pre-modern version of humanism appropriate to the oft dark world that was Shakespeare’s era.
G**E
Simple edition of a classic
Spare no frills edition of a somber Shakespeare classic. Perfect for a student that just needs a portable straightforward copy of the play for class. Just don't expect a happy ending.
I**
A very good book
It's contain lot of details about the author and the play it's very use full for students ☺️ I love this book
T**M
The best ever, at his best.
Can’t quite believe I’ve waited this long to make the effort with Shakespeare. His plays really have shaped who we are today and are so relevant it’s ridiculous. Anyone who claims to be a teacher or claims to care about education and says that Shakespeare is outdated and not relevant any more is either a moron or deliberately trying to provoke. This play is tragic but beautiful and has made me a better person for reading and listening to it. Sublime.
K**E
Cool
Shakespeare! What else to say ?
J**N
Shakespeare's classic
Anyone who picks up this classic will probably be familiar with Shakespeare's reputation and therefore have a good idea of what they are in for. This text repackages Shakespeare's work in an off-the-shelf cover and sells it at a reasonable price. So, there is that, I guess...
J**4
Buen libro y buena calidad
Comprado para leer en inglés y poder perfeccionar el idioma leyendo literatura clásica inglesa. Además otra de las mejores obras trágicas de Shakespeare.
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